New Arrivals at the Islamic Studies Library – March 2018

Throughout the year the Islamic Studies Library acquires numerous resources, books and journals (print and electronic formats),  all of which contribute to the depth of the collection.

Here we highlight just two works recently received.


Nicolai Sinai. The Qur’an: a historical-critical introduction
Edinburgh: Edinburgh University Press, 2017.

Originally published in German (Der Koran: Eine Einführung Stuttgart: Reclam, 2017), Nicolai Sinai’s 2017 English translation now grants access to a wider audience interested in a critical academic introduction to the Qur’an. At 242 pages, the work offers a concise introduction to the “basic methods and current state of historical-critical Qur’anic scholarship”. The author surveys the historical background by briefly introducing basic features of the Qur’an along with Muhammad and the milieu of the time, before moving to Part Two to discuss critical methodology. While Part Two deals with literary coherence, inner Qur’anic chronology and the broader intertextuality of Jewish and Christian contributions, Sinai completes his analysis in application to selected themes found in the Meccan and Medina Surahs. The absence of a concluding chapter to summarise his work does not negate the value of his contributions. If you are interested in academic Qur’anic studies, then Sinai’s book is a must read.

The Islamic Studies Library holds a wide range of works related to Qur’anic studies in a number of languages. The collection is accessible to the public.

 


Francisco del Río Sánchez. Arabic manuscripts in the Maronite Library of Aleppo (Syria) Barcelona: Universitat de Barcelona Edicions, 2017

 

Offered as the third of three volumes, all of which detail the manuscript holdings in the Maronite Library of Aleppo, this last volume completes the catalogue inventory (more than 1640 items). The first two volumes respectively catalogued manuscripts in Syriac and Karshuni (Arabic using the Syriac alphabet) with the final volume devoted to Arabic manuscripts. This latest volumes covers 1596 Arabic manuscripts, along with 50 images and includes an index for all three volumes (manuscripts in Arabic, Latin Script, Greek, Syriac and Karshuni). Aside from ecclesiastical works such as Biblical texts, theology, history and philosophy, the collection also contains works from Muslim authors which reflect the needs and interests of the local community between the 16th and 18th centuries and beyond.

The Islamic Studies Library houses numerous catalogues of manuscripts in a variety of Islamic languages. Manuscripts that are held at McGill can be found at Rare Books and Special Collections on the fourth floor of the Humanities and Social Sciences library.

 

New Exhibition: If Walls Could Speak: the History of Morrice Hall

If Morrice Hall’s walls could speak, you would hear the story of faculty and students of the Presbyterian College of Montreal, of wounded soldiers returning from war overseas, and of members of the International Labour Organization seeking a safe space to work during war-time.

Morrice Hall interior during International Labour Organization occupation (1940)

Today home to McGill’s Islamic Studies Library, the Institute of Islamic Studies, and the English department’s Tuesday Night Cafe Theatre, Morrice Hall was built in 1882, as a home for the Presbyterian College. Named in honour of David Morrice, then-Chairman of the College’s Board of Management and generous donator of $80,000, Morrice Hall was an extension to the original College building, itself built in 1873.

Drawing of Morrice Hall – Presbyterian College Journal, vol. 5, no. 3 (1885), p. 86

Presenting a mixture of photos, publications, plans, and maps spanning 135 years, If Walls Could Speak will take you through the major moments in the history of Morrice Hall: from its foundation, to expansion, to the interruptions of war, to the demolition of the original building and the renovations that created the space we know in 2018.

Curated by Islamic Studies Library’ staff -Ghazaleh Ghanavizchian, Jillian Mills, Anaïs Salamon-, this exhibit offers a unique experience making materials discoverable simultaneously in a physical display and on a touch table.

Touch Table Exhibit capture (2018) – credit: Greg Houston


Title: If walls could speak: the History of Morrice Hall
Dates: February 19, 2018-July 15, 2018, during opening hours
Location: Islamic Studies Library, 1st floor of Morrice Hall

Sanduq el-Dunia

Sanduq el- Dunia [literally “the box of the world”, meaning “the box of life”] ** is an interactive website that acts as a gateway to Cairo where its historical and future developments are debated, discussed and dreamed about, and where the art technology revives different layers of the city’s history and memory. Sanduq el-Dunia offers an exceptional experience of Cairo’s history by digitally navigating its past also this digital platform allows public to build a dynamic connection to their heritage.
Sanduq el-Dunia enables users to preview and explore the existing database of images, as well as the opportunity to contribute to the database by uploading their own images. It contains images reflecting both ancient and modern Cairo.

The idea of creating Sanduq El-Dunia dates back to Egypt’s 25 January revolution in 2011. The images and stories from Tahrir Square formed the inspiration for this project with the idea that “culture is for all” and the objective to “democratize the production of a collective memory, history and knowledge”.

This project is presented on two platforms:

  • The first is the website that acts as an interactive platform with a mini cityscape
  • The second platform –mini Sanduq el-Dunia– presents an interactive preview wall on a 75” touchscreen.

Two main collaborative partners in this project with Sanduq el-Dunia are the Danish Egyptian Dialogue Institute (DEDI) and the Commercial International Bank (CIB). DEDI is located in Cairo and is an intergovernmental body with the goal of promoting political and cultural understanding between Denmark and Egypt and between Europe and the Arab World; The Commercial International Bank (CIB) one of the leading private banks in Egypt.

Sanduq el-Dunia’s mission is to:

  • “Create an interactive, innovative and multidimensional public platform that reflects the cultural and natural diversity of Cairo, its inhabitants, and their living memory
  • Celebrate and highlight the immense and diverse riches in archaeology, architecture, arts, culture and social-political movements, amongst others present in Cairo.
  • Build strong networks among all stakeholders (governmental, cultural institutions, civil society organizations, businesses, educational institutions, artists, Galleries) and democratize the production of and access to collective memory, history, and knowledge.”

The way that Sanduq el Dunia chose to approach the history and culture of the city is influenced by an award-winning project called the “Wall/ Næggen” produced by the Museum of Copenhagen with Gibson Group.

Below one can watch the Sanduq el- Dunia project in Copenhagen:

**Sanduq el-Dunia refers to a well-known form of play (story telling) in the Arab world-which was presented in days past yet continues until today- this form of play works with “schematized, visually abstracted figures, and partly improvised dialogues.” It is linked to an older theatrical performance called shadow play, which is usually being played during occasions, such as private celebrations or religious holidays in cafes. More information in this regard can be found in the following resources:

Shafik, Viola 1998. Arab Cinema History and Cultural I. American University of Cairo, Egypt. link

Haghani, Fakhri, “The “New Woman” on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt.” Dissertation, Georgia State University, 2008. Link

 

Raseef 22 / رصيف 22

Raseef 22 [Sidewalk 22 (as the number of countries in the Arab League)] is a collaborative information platform that emerged in the spirit of the Arab revolutions. Officially launched in Lebanon in August 2013, Raseef 22 offers independent and critical news and views on social, political and cultural movements active in the Arab world. In addition to journalists, writers and artists contributing articles, the platform is maintained and its content curated by an editorial board of fifteen people.

The website is bilingual, English and Arabic, however at the time of our visit, there was much more content available in Arabic than in English. One hopes this will be developped in the future.

Navigating Raseef 22 is very easy, thanks to a single top menu highlighting categories of publications: Life, Politics, Culture, Economy, Blog and Videos. Users can also subscribe to receive a weekly selection of topics, and follow Raseef22 on Facebook, Twitter and Instagram. Last, people eager to contribute can submit theit articles (in .docx format) directly from the Contribute page.