{"id":1055,"date":"2018-10-26T15:08:11","date_gmt":"2018-10-26T19:08:11","guid":{"rendered":"http:\/\/blogs.library.mcgill.ca\/music-flipside\/?p=1055"},"modified":"2018-10-26T15:08:11","modified_gmt":"2018-10-26T19:08:11","slug":"women-work-and-song-in-nineteenth-century-france-new-exhibition","status":"publish","type":"post","link":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/women-work-and-song-in-nineteenth-century-france-new-exhibition\/","title":{"rendered":"Women, Work, and Song in Nineteenth-Century France: new exhibition"},"content":{"rendered":"

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The Marvin Duchow Music Library\u2019s new exhibition, Women, Work, and Song in Nineteenth-Century France<\/em>, explores women\u2019s work and the cultural work about women in popular music, drawing on a selection of pieces from the Library\u2019s 19th<\/sup>-Century French Sheet Music Collection<\/a>.<\/p>\n

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Album 1842 de Melle L. Puget<\/em>. Paris: J. Meissonnier, [1842].<\/p><\/div>\n

Women contributed in important ways to the popular music industry in nineteenth-century France. They worked as composers, poets, and performers; they also hosted salons, directed theatres, and earned a living as pedagogues and publishers. The exhibition highlights women\u2019s activities not only within the popular music industry but also more generally within French society, as women joined the workforce, participated in revolutions and armed conflicts, and supported the burgeoning women\u2019s movement.<\/p>\n

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Les \u00e9tudiantes: chanson-marche<\/em>. Saint-Gilles & V. Damien (lyrics); L\u00e9opold Gangloff (music). Paris: F. Brondert, [1894].<\/p><\/div>\n

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The exhibition follows a chronological narrative, tracing the shift in genres, venues, and means of dissemination of French song over the course of the century. It begins on the third floor by considering the culture of music-making in salons in the early nineteenth century, and highlighting women\u2019s compositions and performances of romances <\/em>and other song genres.\u00a0The fourth floor explores the development of the commercial entertainment industry in Paris in the second half of the century, with the caf\u00e9-concerts of the Second Empire and the music halls and cabarets of the Third Republic.<\/span>\u00a0A map of Paris along with illustrative material and songs from some of the more famous venues and performers help to acquaint the public with the atmosphere of the caf\u00e9-concerts and cabarets. The influence of the Parisian caf\u00e9-concert industry reached all the way to Montr\u00e9al: the exhibition displays the rise and fall of Montr\u00e9al\u2019s Eldorado caf\u00e9-concert, and follows the Parisian cabaret star Yvette Guilbert on her tours to the city over a twenty-year period. The fifth floor analyzes the musical responses to the women\u2019s movement in the final decades of the century, and investigates the instrumentalization of women\u2019s images for ideological and political purposes.<\/span><\/p>\n

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La femme s\u2019\u00e9mancipe: chansonnette<\/em>. L\u00e9o Leli\u00e8vre (lyrics); Gustave Dreyfus (music).Paris: F. Brondert, [1894].<\/p><\/div>The exhibition seeks to open new avenues of music research by asking compelling questions about the circulation, commercialization, and consumption of nineteenth-century popular music in France. In conjunction with the virtual exhibition<\/a>, curated by Kathleen Hulley and Kimberly White in 2017, the exhibition provides access to a wide selection of nineteenth-century French popular songs, and supplies the public with an intellectual framework for understanding the various musical genres and the social issues at play in the music industry during the period. Commercial sheet music provides an exceptional window into experiences of daily life. Not only do many songs reflect on and respond to contemporary events and cultural concerns, but each piece of music also presents an opportunity to trace a complex network of agents who contributed to its creation, performance, and circulation.<\/p>\n

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W<\/em><\/strong>omen, Work, and Song in Nineteenth-Century France<\/em><\/strong> opens November 8, 2018<\/strong>, and will run until June 2019. The exhibition is located on all three floors of the Marvin Duchow Music Library, Elizabeth Wirth Music Building, 527 Sherbrooke Street West (library entrance on the 3rd<\/sup> floor).<\/p>\n","protected":false},"excerpt":{"rendered":"

The Marvin Duchow Music Library\u2019s new exhibition, Women, Work, and Song in Nineteenth-Century France, explores women\u2019s work and the cultural work about women in popular music, drawing on a selection of pieces from the Library\u2019s 19th-Century French Sheet Music Collection. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1156,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1055","post","type-post","status-publish","format-standard","hentry","category-blogs"],"_links":{"self":[{"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/posts\/1055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/users\/1156"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/comments?post=1055"}],"version-history":[{"count":35,"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/posts\/1055\/revisions"}],"predecessor-version":[{"id":1095,"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/posts\/1055\/revisions\/1095"}],"wp:attachment":[{"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/media?parent=1055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/categories?post=1055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.mcgill.ca\/music-flipside\/wp-json\/wp\/v2\/tags?post=1055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}