Located in Beirut, the Sursock Museum houses modern and contemporary art and is known for its distinctive architecture, built in 1912, featuring Lebanese architecture with Venetian and Ottoman influences.
This rich architectural heritage, once the private villa of Nicolas Ibrahim Sursock, was transformed into a museum in 1961 according to his will.
The Sursock Museum aims to preserve and safeguard the collective memory of Beirut, as it has witnessed various historic events and conflicts over time. The most recent event it has endured was the explosion at the Port of Beirut in 2020.
The Sursock Museum also aims to provide a platform for critical thinking, debates, and learning through various means such as collaborating with Lebanese artists in curating exhibitions, creating publications, and maintaining a library and permanent collection.
Exhibition:Je suis inculte! The Salon d’Automne and the National Canon, Curated by Natasha Gasparian and Ziad Kiblawi 26 May 2023 to 15 May 2025 Collection Exhibition: Sympoietic Fabrics, Charbel Samuel Aoun, 29 February 2024 to 25 August 2024,Twin Galleries, GF
Numerous exhibitions have been held at the museum, showcasing both international and Lebanese artists, including Abboud and Amine el Bacha. Additionally, the museum offers access to modern and contemporary art collections as well as Islamic art. “The collection consists of over 800 artworks, including paintings, sculptures, and graphic arts from the 19th and 20th centuries.”
Their collection page presents some of the artworks and provides details about them, including the artist’s name, date of creation, and more.
The Sursock Museum’s collection of modern and contemporary art is comprised of works by predominantly Lebanese artists, from the late 1800s to the early 2000s.”
The special collections include a series of Japanese woodcut prints gifted to the Sursock Museum by the Embassy of Japan in Lebanon following an exhibition at the Museum in 1966.”
Along with his 19th century mansion, Nicolas Ibrahim Sursock’s waqf covers a collection of furniture and objects he had collected or been gifted from various destinations.”
The Sursock Museum is home to The Fouad Debbas Collection, a photographic collection comprising over 30,000 images from the Middle East, from 1830 till the 1960s.”
In the exhibition section, a list of past and present displays can be explored, with detailed information about each exhibition provided.
In addition to its collections and exhibitions, the Sursock Museum has a library and archive that collect, preserve, and make accessible local and regional art historical research for students, researchers, curators, and the wider public. The library holds about 4,000 books. While the books are only accessible on-site, the library catalog can be accessed and downloaded from the museum’s website.
In conclusion, the Sursock Museum through its diverse collections, exhibitions, and educational initiatives, continues to be an important platform for artistic expression, historical preservation, and cultural dialogue.
Corpus Coranicum is a European platform supporting scholarship on the Qur’an. Initiated in 2007 by Islamic studies scholar and Qur’anic studies Professor Angelika Neuwirth, the project is today directed by Michael Marx from the Berlin-Brandenburg Academy of Sciences and Humanities. Primarily funded by the German federal government and the federal state of Brandenburg, Corpus Coranicum received external funding from French-German projects Coranica and Paleocoran between 2010 and 2018.
“Corpus Coranicum takes the long overdue step of systematically analysing of the oldest Qur’anic manuscripts as well as documenting the variant readings of the Qur’an within the Islamic literature.”
The main goal of Corpus Coranicum is to study the historical context in which the Qur’an emerged and developed, and its impacts on the Qur’anic text. To do so, the research team analyses the oldest manuscripts and documents variant readings within the Islamic literature. The first part of the project involved creating a database of digitized manuscripts and building the tools necessary for their analysis (transliteration system, font-type, guidelines on describing and dating manuscripts, etc.). Further developments included a multilingual (Hebrew, Syriac, Ancient South Arabian, Ancient Ethiopic, etc.) database of textual variants present in early Islamic sources. Today, the platform includes four databases:
Manuscripts including over 30,000 scans of early Qur’anic fragments on parchment, collected from 95 worldwide collections, accompanied by bibliographical, codicological and paleographical data as well as Latin transliterations of the Arabic text
Variant Readings made of variants found in 8th-9th century scholarly sources like The Arabic grammar of Sībawayh, the Arabic Lexicon of al-Khalīl b. Aḥmad, exegetic texts, grammatical-philological commentaries, Ibn Ḫālawayh’s compendium of variant readings and the Canon of the seven readings compiled by Ibn Mujāhid
The World of the Qur’an comprising texts produced at the same time that the Qur’an in Arabic, Ancient Ethiopian (Ge’ez), Ancient South Arabian (Sabaic), Aramaic, Syriac, Greek, Latin, Hebrew, Middle Persian, Coptic, etc.
Commentary consisting of surahs classified based on their historical chronology and thematical development.
In complement, Corpus Coranicum makes available a 1924 printed edition (Cairo, Egypt) of the Qur’an and Rafael Talmon Qur’an Concordance by word. Rafael Talmon (1948-2004), a Professor of Arabic Studies at the Department of Arabic Language and Literature at the University of Haifa, was a pioneer in the study of the Qur’anic text.
It is possible to navigate verses and access the Arabic text, its transliteration, and translation within the Print edition.
Verse navigator
The Concordance provides a systematic morphological analysis (by Rafael Talmon):
Since 2007, Corpus Coranicum has been organizing annual workshops on a variety of topics. To cite only a few:
Scriptorium Workshop: Qur’anic manuscripts past and present: cataloguing and digital tools, September 18, 2023
Corpus Coranicum-Vorselung 2022: The Qur’an Palimpsest from Sinai – Interpretations, models and evaluations of Manuscript Cambridge, December 2022
Corpus Coranicum-Vorselung 2021: Echoes of Jacob of Serugh in the Qur’an and Late Antique reading culture (Philip Michael Forness), December 2021
Corpus Coranicum-Vorselung 2019: Before the Qur’an: Arabic’s history across Greek, South Semitic, and Aramaic writing traditions, December 2019
Corpus Coranicum-Vorselung 2018: The Origins and modifications of the Blue Qur’an, December 2018
Corpus Coranicum-Vorselung 2017: Oman’s new electronic Qur’an solving discrepancies between historical text, rules of calligraphy and Azhar orthography, September 2017.
In addition, between 2016 and 2023, Corpus Coranicum held 39 ‘Collegium Coranicum‘ (i.e. talks) by international scholars on a wide-range of topics related to the study of the Qur’anic text.
Last, but not least, for those interested in learning more about the project and their research methods, two lists of relevant literature can be found on the main page: one on the catalogue of the Berlin-Brandenburgische Akademie der Wissenschaften Library and one as a public Zotero library.
Corpus Coranicum interface is available in German, English, and French:
Atassi Foundation was established in 2016 as a non-profit initiative with the mission to safeguard and promote modern and contemporary Syrian art as well as archives from Syria.
Elias Ayoub, Jasmine Fall, acrylic on canvas, 69 x 139 cm, 2022, presented at New Perspectives Project, @ Foundry from February 27th to April 10th, 2023
This Foundation is the legacy of Atassi Gallery which was a private art gallery founded by two sisters Mouna and Mayla Atassi in 1986 in the attic of their bookstore. The art gallery later expanded its activities thus hosted some exhibitions by renowned Syrian artists (Fateh Moudarres, Abdullah Mourad, and Ahmad Durak-Sibai). Later the gallery moved from Homs to Damascus and started their international and regional collaborations, symposiums, publication…
Art work by Mohamad Khayata presented at New Perspectives Project, @ Foundry from February 27th to April 10th, 2023
Atassi Gallery having an important role in Syria’s emerging independent cultural scene, and being hub for intellectuals, writers, filmmakers and artist, transformed into Atassi Foundation in response to challenging times in the recent years with “the belief that art and culture play a necessary and vital role in subduing the ravages of violence, repairing the damages of war and in preserving the history and culture of Syria for generations to come. “
“The voices of artists today rise to counter destruction and violence, to make sense of it and to persevere. Their talents and work are sources of hope, identity and inspiration for future generations.” -Shireen Atassi
https://www.atassifoundation.com/news
Atassi Foundation is aiming to promote Syrian’s cultural heritage as well as critical thinking, research and knowledge promoting to connect the past and future of art production. To achieve this goal, the Atassi Foundation has provided access to a diverse range of materials and information, including various art collection, projects, journal publication (The Journal), podcast (HIWAR) and last but not least an archive collection: Modern Art Syria Archive (MASA).
Atassi Foundation’s art collection consists of early 20th century modern and contemporary Syrian art work and showcases the work of over 70 artists in various forms from paper to photography, sculpture and more.
Artworks are organized by artists’ names, and a description and biography of the artist are provided.
The Projects cover Foundation’s collaborations, Exhibition, research projects and publications. Under each category comprehensive information is provided along with links to the project or research or the collection.
The modern Art Syria Archive is an online archive focusing on modern Syrian art, aiming to draw international attention and interest in Syrian art.
It provides access to three archive collections: The Archives of Atassi Gallery, The Archives of Mahmoud Hammad and The Archives of Leila Nseir. Each consists of various types of archival material including photographs, letters, personal documents, manuscripts and etc, as well as comprehensive information and history about the archive and the artist. Moreover, all the archival materials are accessible as well.
The Archives of Leila Nseir: Leila Nseir at the Faculty of Fine Arts in Cairo, 60s
In summary, the Atassi Foundation is dedicated to preserving Syria’s rich cultural heritage and advancing the future of its artistic landscape.
Art work by Fadi Yazigi: Untitled’ Mixed Media in Box-Front, 26 x 33 x 25 cm
Art work by Fadi Yazigi: “Untitled” 74 x 60 cm. Mixed Media on Paper on Canvas, 2012
Art work by Lutfi Al Romhein
Art work by Monif Ajaj, at New Perspectives Project, 2021
Country of Words aims at uncovering and highlighting the connections between Palestinian literary products originating from different places around the world:
“because of its transnational reality, Palestinian literature makes it possible for us to read together the national and the exilic. It also gives us the opportunity to explore new ways to write nonlinear and nonconventional literary histories of displacement and movement, and to uncover new constellations, networks, trajectories, relationships, and collaborations across multiple literary geographies and periods.”
The network mapping allows to visualize and explore the connections between time periods (yellow), authors (blue), periodicals (green) and themes (red). Visitors are invited to click on the nodes to obtain more information about the specific topic.
Salma Khadra JayyusiContributor Network of Lebanese and Palestinian-Led Periodicals in BeirutPrison Literature (1967—present)
Visualizations allows to explore the life, migrations and literary production of a writer, contributions to specific periodicals, or the production of a certain type of literature (Prison literature as shown here). Visitors will undoubtedly appreciate the benefits of visualizing information in many different formats.
The ten one-hour long interviews of key Palestinian literary figures available on this page are part of a podcast series entitled Balad min kalam (Country of Words). Each episode starts by a discussion of literary evolution, movements across periods and geographies, circles and networks, and periodicals to which they contributed. Then, the guests read a text they have written and explain why they chose it. After that, they are asked to cite a work they think influenced the course of Palestinian literary history. Last, “many of the guests spoke about their personal libraries and how their book collections have been affected by censorship, constant movement, loss, and destruction. Interviews are also indexed and accessible by time period.”
To conclude, we want to note that Country of Words: A Transnational Atlas for Palestinian Literature has been described in very positive terms by many experts in the field. Among them, Professor Michelle Hartman (McGill University) wrote: “With its user-friendly interface, well-suited and attractive visualizations, intelligent analysis, and fascinating author interviews, Country of Words is an invaluable resource that documents and engages the diversity of Palestinian literary production over time, expanding access to it in an inviting digital format.”
The KCLDS Archive serves as the repository for the Khayrallah Center, established in 2010 by Dr. Moise A. Khayrallah. Initially established to research and conserve history of Lebanese in U.S, the center evolved into a larger project and extended beyond the United States, eventually becoming the Moise A. Khayrallah Center for Lebanese Diaspora Studies. As a result of its growth, the center curated a museum exhibit, produced a documentary, and established an archive (KCLDS).
KCLDS Archive houses historical and cultural resources about Lebanese diaspora in the United States and across the world.
“We preserve the heritage and memories of the Lebanese diaspora community and make it accessible through our digital and physical archives.“
The Archive can be explored through three main categories: Collection Guides, Browse the Collection, or Browse the Item. There are 112 collections available, containing a total of 11,634 items.
When using Browse the Collection menu, you can search either in title order or based on the time the item was added to the collection. Detailed information is provided for each collection, such as: Title, Subject, Biographical/Historical Note, Publisher, Date, Language, etc. but more importantly a full description of the collection and finally access to the collection.
Moreover, searching on the item level gives more search criteria, such as Browse by Tag, Item or Reference, also results can be sorted by Title, Creator, Item Date, etc.
Another valuable feature at the item level is the Citation section. When available it is possible to see if the resource was cited, when where and by who.
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Collection Guides, however, provide access to the collection by title or categories.
Moreover, it is possible to search in Arabic using the Arabic-Language Publication Database menu, which provides access to Arabic- language newspaper and books in the States between 1880s to 1950s.
Early Arab immigrants in North and South America have left a rich legacy and history. Much of their histories have been recorded in millions of pages of Arabic newspapers, books, magazines, and other publications. Yet, this rich record has been largely inaccessible because it was dispersed, stored in disparate archives, and stored in older technologies like microfilm. Now, The Khayrallah Center’s Arabic Newspaper Database makes these records digitally searchable.
KCLDS Archive offers variety of resources for researchers, scholars, and anyone interested in exploring Lebanese diaspora. The archive not only preserves the past but also sheds light on the present and provides access to resources for future. With its diverse collection guides, browsing options, and Arabic-Language Publication Database, the archive invites users to access its wealth of materials, facilitating research, discovery, and understanding of the Lebanese diaspora’s journey, memories, and heritage.
Sponsored by the Arcadia fund, the Palestinian Museum Digital Archive aims at collecting, digitizing and making widely available (in Open Access) endangered archival materials documenting Palestinian life and history. Started in 2018, the project has now reached its third phase involving partnerships inside and outside Palestine as well as a broadening of the geographical scope covered.
At the time of our visit, the archive included over 200,000 documents like “identification papers, official records, letters, diaries, manuscripts, maps, photographs, films, and audio recordings” collected from individuals, families, and institutions. The Palestinian Museum Digital Archive only keeps digital surrogates and return the original documents to their owners after processing.
Visitors can either Search the archive, Browse collections or Explore topics.
The basic search only requires to enter keyword(s) in the search bar at the top-right corner of the page. The advanced search offers a more refined search where you can limit by:
The collection browse allows to identify specific archives of interest before searching them. The number of documents in each collection range from less than a hundred to thousands of documents. The time period covered is clearly stated at the right-top corner of each collection:
The topics exploration offers a different way of navigating the website through subjects assigned to documents. Among the long list of topics (fifteen in total), visitors will find the following:
The number of documents in each category is indicated right beside the topic, and when scrolling over the topic, a series of thumbnails gives a snapshot of items that will be found under this topic. To ease navigation, the list could be sorted alphabetically.
It is important to note that all materials in the Palestinian Museum Digital Archive are “copyrighted either by the museum or by third parties who have granted permission for their materials to be included on this site. Visitors can therefore only use the documents “for personal, educational, non-commercial use, or for fair use as defined in the United States copyright laws.” It is possible to ask for high-resolution images by emailing info@palarchive.org or sending the request via the form available here.
To submit your personal archive, you may fill out the following form:
The website is entirely bilingual English and Arabic.
The Middle Eastern Film Posters & Lobby Cards Collection is a digital collection launched by Princeton University Library to make available their Arabic Movie Posters and Lobby Cards collection to worldwide scholars. Acquired in Lebanon in 2008, the collection includes 1,748 posters, and 768 lobby cards produced mostly in Egypt, Lebanon, Syria and Iraq. At the time of our visit, the digital collection included 1,646 items which represents a large proportion of the overall collection, and newly digitized items keep being added to it.
The digital collection can be navigated in two ways. The left-hand side filters allow visitors to limit their search by place of origin, genre or date of creation. The categories accessible via the vignettes below allow to access the materials sorted by both genre and geographical origin:
Within each category, results can be displayed either in a list or a table form, and sorted by title, author, and date (ascending/descending).
When opening an item, the page will show the high resolution image and a succinct description at the bottom. For more information about the document, visitors can expand the right-hand side panel. Images can be displayed full-screen, enlarged and reduced, downloaded (as jpeg, tiff or pdf) or shared via a link.
In addition to aiming at identifying and locating archival materials indispensable to scholarship, the project also explored faster and more appropriate ways to describe and catalogue archival collections “from an African perspective”. To do so, they reflected on traditional Western archival practices, and worked towards adapting them and/or creating new practice better suited for archival materials in non-European languages. They worked closely with partners at SCOLMA, a “forum for librarians, archivists and others concerned with African studies materials in libraries and archives in the United Kingdom”.
The rationale behind the project is thoroughly explained in this video posted on the ‘About‘ page:
The ‘Archives Africa Catalogues‘ section is the heart of the website as it includes the records of archival collections. Catalogues can be discovered browsing a number of categories:
At the time of our visit, the total number of collections cataloguing records in the database was close to 900, identifying and locating a much larger number of documents in Malagasy, French, and English.
The News section, despite not having been updated since 2018, makes available interesting and insightful information about the project.
Those interested in learning more about African archives further should consult the International African Institute‘s website, in particular the African digital repositories page. Based in the United Kingdom (at the School for African and Oriental Studies, SOAS), the IAI “promotes the scholarly study of Africa’s history, societies and cultures” for which archival sources are essential.
The disruptions caused by the COVID-19 pandemic did not stop the emergence of new ideas and projects at the McGill Islamic Studies Library (ISL). One such example is our collaboration with the Arabic Design Archive (ADA) which started in the middle of the pandemic. Originally, the ISL committed to feed the digital archives with scans of book cover from its collections. As time passed, both parties decided to create a joint exhibition titled Archival Alliance: Discovering Arabic Book Covers that was displayed in the Islamic Studies Library from September 15th to December 15th, 2022.
“The Archival Alliance: Discovering Arabic Book Covers exhibition seeks to highlight and broaden the concept of the histories of graphic design beyond Western contributions to present the wealth of design work produced in the Arab World [….], the exhibit [walked] visitors through the history of Arabic books covers design between 1970 and 2000.”
In early 2020, Moe Elhossieny, Egyptian designer, practitioner historian and researcher, started an archiving project that developed later into the digital Arabic Design Archive. ADA is a non-profit initiative aiming to facilitate knowledge production about Arabic design and its historical context by collecting, digitizing, and making available relevant materials; and to create a digital archive serving both for inspirational and scholarly purposes.
To achieve his goal, Elhossieny began to collect Arabic book covers designs from various collections crowdsourcing stored them in their repository, and posted the most interesting ones on the ADA Instagram account. This is where our former colleague, Mrs. Samah Kasha, learned about the project and contacted Moe Elhossieny to offer our contribution by sending a monthly batch of Arabic book covers’ scans from the Islamic studies Library collection. The collaboration started officially in the Winter of 2021.
Between January 2021 and January 2023, the ISL sent the digital copies of 250 book covers to the ADA archive across a wide range of subjects. Book covers were selected based on their date of publication (to comply with copyright requirements) as well as design and style including typography, graphic design, illustration, and calligraphy. The ADA included these images to their repository and posted some of them (when copyright allowed) on their Instagram account: @thearabicdesignarchive. Our materials have been tagged “Collection of @mcgillislamiclibrary.”
Examples of book covers:
While the Arabic Design Archives was growing and diversifying, the ISL relationship with them tightened, and we suggested expanding the collaboration: a jointly curated exhibition seemed like a good way to do so.
Given the restrictions imposed on everyone by the COVID pandemic, The Archival Alliance: Discovering Arabic Book Covers exhibition was developed in a hybrid format including both a physical display and a digital component. The virtual part of the exhibition consisted in a touch table exhibit that offered visitors a unique interactive digital experience. The physical display featured books from the ISL collection, and the digital display gave access to book covers from the ADA archive.
Physical display in the ISL – Photos: Lauren Goldman
Physical display in the ISL – Photos: Lauren Goldman
Physical display in the ISL – Photos: Lauren Goldman
To incorporate the digital aspect of the exhibition, we asked our colleague Gregory Houston, ROAAr (Rare & Special Collections, Osler, Art, and Archives) Digitization Administrator for help. His expertise in developing touch table experience combined with Moe Elhossieny’s expertise in design resulted in a colorful and engaging touch table exhibit, showcasing books covers, animated clips, documentary videos, illustrated pages presenting the narrative of the exhibition, historical photographs, etc.
Touch Table experience – Video capture: Ghazaleh Ghanavizchian – Featuring: Samira Meshkin (Senior Library Clerk at the Islamic Studies Library)Animated book cover clip created by Moe Elhosseini
The topics covered and the materials included in the The Archival Alliance: Discovering Arabic Book Covers exhibition were identified and selected over the course of several meetings. If more than 500 ISL book covers were scanned and sent to the ADA during our two years-long collaboration, only 20 of them were chosen for the physical display. While selecting the book covers, we realized that three artists had played an important role in designing book covers in the 20th century: Hilmi El-Tuni, Mohieddine Ellabbad and Bahgat Osman. With materials gathered for his personal research and the Arabic Design Archives, Moe Elhossieny was able to create documentary-style videos highlighting the work of the three featured artists (video1, 2 and 3). These videos were available for watching on the touch table.
Bahgat Osman
Hilmi El-Tuni
Mohieddine Ellabbad
video 1. Mohieddine Ellabbad- Video credit: Moe Elhossieny
video 2. Bahgat Osman- Video credit: Moe Elhossieny
video 3. Hilmi Al Tuni Evoking Popular Arab Culture by Yasmine Taan | Copy + Paste Syndrome | Nuqat 2015, YouTube, uploaded by: Nuqat, https://www.youtube.com/watch?v=uW72ub0HIvY
Materials on both the touch table and in the display cabinet were assigned to three main subject areas : Religion, Literature, and History. Book cover design can teach us a lot by reflecting design trends and techniques of the period when they were published. To offer a more meaningful experience to visitors, the Islamic Studies Library made additional books accessible for discovery along side those in the physical display.
The graphic design and visual elements for the promotional materials like postcards (images 1 & 2) and poster (image3) were collaboratively developed.
If the plan was to host a launch or closing event in the presence of Moe Elhossieny, travel restrictions to Canada unfortunately did not allow us to do that.
The exhibition concluded on December 15th, 2023 after attracting numerous visitors from McGill and from the larger Montreal community. We received a lot of positive feedback: some visitors were impressed by the wide range of designs, others found the concept original and unique, others enjoyed the touch table experience and its audio-visual materials.
The exhibition was, curated by Anaïs Salamon, Head of the Islamic Studies Library, Moe Elhosseiny, The Arabic Design Archive, Samah Kasha, former Senior Library Clerk at the Islamic Studies Library, and Ghazaleh Ghanavizchian, Senior Library Clerk at the Islamic Studies Library.
We also thank Dr. Charles Fletcher, Head Library Clerk at the Islamic Studies Library, and Lauren Goldman, Communications and Events Administrator in the Office of the Dean of Libraries, for their invaluable support, and many contributions to this project.
Image 2: Post card-Back side
Image 1: Post card-front side
Image 3: Exhibition posterPhysical display, touch table and additional book covers in ISL- Photo: Ghazaleh Ghanavizchian
This blog post is written by Ghazaleh Ghanavizchian and proofread by Anaïs Salamon.
The Indian Princely States Online Legal History Archive (IPSOLHA) is an online archive for primary and secondary sources related to the legal and administrative history of the Indian Princely States started in 2021. Originally sponsored by the Society of Fellows of Dartmouth College, and a Digital Scholarship Grant from the American Institute of Indian Studies Digital Learning Initiative, the project later received support from the Department of History and Information Technology & Consulting at Dartmouth College as well as the South Asia Open Archives (SAOA) at the Center for Research Libraries.
“During the period of British colonial rule, there were hundreds of semi-sovereign, semi-autonomous states across the South Asian subcontinent. (…) these states (…) were incubators for innovative legal, administrative, and political ideas and offered a unique counterbalance to the hegemony of British rule. Yet despite their unique history, studying these states is complicated by the scattered nature of their archival remains.“
The main objective of IPSOLHA is to make the archives relating to these Princely States ,more easily accessible by identifying, cataloguing, and digitizing them when possible to support the legal and administrative history of the Indian Princely States. At the time of our visit, the database included the description of more than 3,000 individual documents, and future efforts will focus not only on continuing to enrich the database with new materials, but also on promoting it as a research tool starting with a series of presentations by Elizabeth Lhost, principal investigator.
The Indian Princely States Online Legal History Archive proposes eight categories based on resources types to browse the collection:
Each category displays a list of sources -in a customizable view- some of which accessible online, others to be consulted on site at their holding institution. The left-hand side menu allow visitors to filter results by Subject Headings, Document type, Language, State, and Holding Institutions.
Specialists will particularly appreciate that documents in many languages (English, Gujarati, Hindi, Hindustani, Punjabi, Sanskrit, Urdu, etc.) are included in the database, and that Princely States are identified for each source.
For each item listed, IPSOLHA provides a lengthy description including Subject Headings and Type of resource tags allowing to navigate documents within the database (Main & IPSOLHA tabs), and instructions for accessing the materials (Access tab):
Main tabIPSOLHA tabAccess tab
Interested scholars can get in touch with the project team at ipsolha [at] gmail.com, use the Contact form, or follow updates on Facebook, Twitter.
