Khazaaen archive is a voluntary independent association, centered in Jerusalem, where it first started as an initiative in October of 2016. Khazaaen considers itself as a societal project where people’s efforts contribute in building the archive.
“Each paper has a story”
The archive is interested in gathering ephemera materials; which is basically any material that was produced for a short-term and specific objectives. Khazaaen has managed to gather up to 60 thousand documents, where most of the materials are either daily publications, advertisements, brochures, pamphlets, posters, business cards, postal cards, wedding invitations, commercial, political, or artistic. Khazaaen believes it’s important to gather such materials as they serve as basic information in understanding local and social histories and a collective memory of the society’s day-to-day interactions. Moreover, these materials contain honest and real information about certain events in certain points in history and they enable us to understand the social experience and the alterations that occurred across different eras.
Khazaaen has several collection centers located in Amman, Beirut, Doha, and Algeria. The Technical Team will sort out received materials and make a second copy to send it to another archive in order to have back-up copies. Then scan the original and create a digital surrogate. Hard copies are kept in antioxidant files to preserve them.
Khazaaen hopes that it would be able to protect and preserve as many of the daily publications as possible and make these materials available to researchers and the public. In addition, Khazaaen aspires that its digital archive will contribute in starting a social and cultural discussion around critical political and societal issues in the hope of creating a better tomorrow.
bina is the digital collection of the Bibliothèque Universitaire des Langues et Civilisations (BULAC), an academic library established in 2001 to centralize the “Oriental” collections of nine parisian academic and research libraries. The wide-range of geographical areas covered by BULAC go from the Balkans, to Oceania passing by the Middle East, Central Asia, Africa, and Asia. BULAC’s mission revolves around three axis: gathering these “Oriental” collections in a single location, promoting and supporting open access, and facilitating worldwide scholars’ access to the materials.
The Middle Eastern, North African and Central Asian collections of BULAC include 235,000 monographs and over 800 periodicals. In addition, the library owns approximately 4,000 “Oriental” manucripts and rare books dating from the 16th to the 19th century. The online cataloguing of these rare collections started in 2013 and the digitization in 2016. At the time of our visit (June 2021), 248 Ottoman Turkish, 150 Persian and 61 Arabic manuscripts and archival documents had been scanned and were available in bina.
The XML-EAD standard initally used to describe these rare materials was not fit to reflect the linguistic and paleographical variety of the collection and the multiple transliteration systems used to transcribe non-roman scripts. Therefore, BULAC worked in collaboration with the Agence bibliographique de l’enseignement supérieur (ABES) to develop bibliographic descriptions and authority records matching the codicological and onomastical specificities of these collections. Those interested in learning more about this cataloguing project can read the following articles (in French):
Navigating bina digital collections can be done in three different ways. The simple search available from the top-right corner of the page will search simultaneaously the title, author, date, description, format and subject fields. The advanced search available either by clicking on the “Rechercher” tab or opening the drop-down menu in the simple search will allow to target specific fields and cross-search them. The Index search allows to browse materials by author, language, type of document and call number.
The metadata is divided in four categories: Notice (bibliographic data), Matérialité (physical description), Contenu (content) and Conservation (location).
The online viewer allows to browse volumes, jump to a specific page, display a single page, double pages or a gallery. It is also possible to save pages either as image of PDF (one page at a time), share (with a permalink) or embed the image elsewhere. Unless otherwise stated, all materials are out of copyright and free of use. For more technical and legal information, you may visit this page.
The Aga Khan Library, London houses invaluable resources for Islamic studies produced in different regions and different periods of the Islamic world. The collection of rare materials consists of manuscripts, artworks, out-of-print publications, photographs, and maps, a wide range of research materials on the history, politics, customs, and beliefs. In addition to these materials, the Aga Khan Library is a current custodian of several research collections and personal archives donated by acclaimed scholars in the field of Islamic studies.
Aga Khan Library Digital Collections offers a digitized copy of some of the rare books in the Aga Khan Library, London. Therefore, becoming a member of the library will grant members a full access to the library collection. It is also possible to create a personal account for nonmembers, which will allow users to save books, chapters, images or other items to view later, organize saved items into folders, email and export citations and save searches.
There are 109 items available for browsing, mainly in Ottoman Turkish Language and mostly published in Turkey. Disciplines include history, archeology, linguistics, literature, law, religion and mythology. Highlights of the collection include Osmanlı Tarihi, an encyclopaedia of Ottoman History; and Türkçülüğün Esasları, Principles of Turkism, a work published in 1923 by Ziya Gökalp.
There are 62 items available for browsing, chiefly in Arabic and some in Gujarati and other languages, mostly published in India. Disciplines include Religions, Mythology, History, Archeology and Literature. One of the highlights of the collection include works by the renowned Persian poet and traveller, Nasir-i Khusraw (d. 1088), and a large holdings of devotional hymns known as ginans attributed to Ismaili Pirs in the Indian sub-continent.
Professor Avery (1923–2008) was an eminent scholar of Persian history and literature. His collection contains thousands of volumes including manuscripts, lithographs, and many rare and out-of-print titles in Persian, English, and Arabic, some dating back to the early 18th century. There are 2 items available for browsing at the moment.
A collection of books and holograph manuscripts casts a light on Muhammad Abduh (1849–1905) will be available soon. He was a crucial figure in the intellectual history of Egypt and the Muslim countries.
There are multiple ways of navigating the content: The main Search box in the header or the advanced Search; search by keyword with date range; search using combinations of author name, title, category, date range, or identifier.
Users can print and download individual images. All use of the site content is subject to Terms and Conditions, printing and saving should be for personal use, and standard copyright restrictions apply regarding unauthorized copying and distribution.
Open access Islamic-Iranian manuscripts database has been established with the aim of providing access to resources for researchers and scholars with the focus on the manuscripts of the Islamic world and Iran. This site, in order to promote the values of Iranian culture, with the help of group of dedicated partners tried to make available manuscripts and develop techniques of accessing the manuscripts of the Islamic world and Iran. And recently they have run their pilot version of their website.
It is possible to read manuscripts electronically and, on the web, as well as access other resources provided in this database such as books and articles related to the field of manuscripts.
This initiative consists of various departments such as cataloging, graphic editing, image development, public and international relations, and IT.
Development of their archive relies on collaboration of private collection owners, personal collections, national libraries, or other entities who are willing to share their manuscripts, books, or their resources with them to be digitized and to be made available for public use.
The image of manuscripts is accessible for everyone; however, the website interface is only available in Persian language. Each manuscript can be browsed, and bibliographic information is presented consisting of language of the item, subject and author. Also, when available more details about the manuscript is shared such as title, author or manuscript’s transcriber as well as where the item is kept, and it also indicates if the manuscript is not complete.
“We can not fight for our rights and our history as well as future until we are armed with weapons of criticism and dedicated consciousness.” ― Edward W. Said
In this blog post, we will highlight resources on Palestine, and Palestinians to support students and researchers focusing on this area and seeking to understand the Palestinian Question in its national, Arab, and international contexts. Our list of resources includes digital initiatives, projects, archives, NGOs, academic centers, etc. all which have in common to document Palestine’s history and Palestinians’ lives and preserve the Palestinian heritage. Gratefully, these various collaborative efforts between institutions make materials available in Open Access to scholars, students, and the wider public.
The project is a collaborative project of the Palestinian Museum and the Institute for Palestine Studies. To promote a dynamic vision of Palestinian culture engaged with new perspectives on history, society and culture.
Presents a series of anonymous but intimate portraits of Palestinian families living under the Israeli Citizenship and Entry into Israel Law. This Law, passed in 2003, prevents Palestinians from the Occupied Palestinian Territories (OPT) married to Israeli citizens from obtaining a legal status in Israel, violating their right to a family life in Israel.
The archive is an oral history collective established in Lebanon in 2002. Since it’s inception, the Archive has recorded over 650 video interviews with first generation Palestinian refugees in Lebanon about their recollections of life in Palestine and the events that led to their displacement. These eyewitness narratives, with refugees from more than 150 Palestinian villages and towns, recall social and cultural life in Palestine before 1948, relations with neighboring Jewish communities and the British Mandate, the 1948 expulsion, and the early years of exile. The aim has been to document this critical period through the voices and experiences of those who lived through it, and to bear witness in a way shaped not by political symbolism but rather by the rhythms of personal memory.*
The Birzeit University Palestinian Archive Project (BZUPAP) is dedicated to documenting the life of Palestinians (persons, families and organizations) over the past century. Documents collected include the most diverse types of written and audiovisual materials (texts, photographs, videos, recordings). This growing, largely open archive is being preserved at the university. Incoming documents are organized, categorized, and uploaded on the electronic website http://awraq.birzeit.edu with a clear indication of the donor. The website constitutes an excellent resource for all interested persons and a primary source for researchers around the world, with its easy access and its Arabic and English language materials.*
The Palestine poster tradition offers an exceptional perspective on the history of modern Palestine and is, simultaneously, a much under-valued component of its cultural heritage. The posters themselves are important repositories of primary data. They provide a unique lens through which audiences can gain insight into the attitudes and aspirations of people directly involved in the contemporary history of Palestine, as they have experienced it and recorded it in graphic art.
Al-Quds open archive is the result of a collaboration between the Center for Palestine Studies at Columbia University (CPS) and the Institute for Palestine Studies in Ramallah. Al-Quds open archive includes 392 issues published between 1908 and 1914. The significance of al-Quds, aside from it being the first newspaper in Palestine, was its timing. It both celebrated and tested the new freedom of publication proclaimed by the Ottoman Constitutional Revolution of 1908.
The Jerusalem Quarterly is the only journal focused on the city of Jerusalem’s history, political status, and future. It addresses debates about the city and its predicament, as well as future scenarios for solving the problems of Jerusalem. The Jerusalem Quarterly has a prestigious board of advisors selected from leading Palestinian universities and research institutes and an editorial staff. It has been published continuously since 1998 by the Institute of Jerusalem Studies, an IPS affiliate, in Jerusalem and since 2003, in Ramallah. This journal is made available to readers and researchers by special arrangement with the Institute for Palestine Studies.*
The main goal of this project is to digitize the historical periodical collection located at the Al-Aqsa Mosque Library in order to create archival quality digital copies of the deteriorating newspapers and magazines. In addition, the project intends to create multiple derivative copies to extend access of these rare materials to scholars, students and the public.*
The Maps and Cartography section contains two kind of documents: original maps of Jerusalem reproduced here as a tool for researchers, and links to existing sets of Jerusalem maps—both historical and contemporary.
Palestine Open Maps is a platform for map-based exploration and immersive storytelling. This alpha version of the platform allows users to navigate and search the historic map sheets, and to view basic data about present and erased localities.*
In these text-maps by Palestinian writers, you will find a fusion of voices. Writers were asked to write a portrait of the city or town their families come from—experienced or imagined. They were to draw from family members, stories, dreams, or other channels. The contributors are listed under their city of origin; those who come from two different cities are placed under the city they wrote about. This map is an architectural metaphor. It’s a construction site, where readers can watch the map being built with every feature.*
More than 120 village memorial books, about the over 400 Palestinian villages that were depopulated and largely destroyed in the 1948 Arab-Israeli War have been published. Compiled as documentary histories and based on the accounts of those who remember their villages, they are presented as dossiers of evidence that these villages existed and were more than just “a place once on a map.” *
Hanna Safieh collection consist of black and white photo of Palestine and the Holy Land dating back to 1927 and featuring historic and biblical locations such as Jerusalem and the Old City, Bethlehem, Nazareth, Jericho and more.*
Started in the 1990’s, Dreams of a Nation is a Columbia University based archival project aiming at preserving and promoting Palestinian cinema. Dreams of a Nation resulted in the organization of two Palestinian film festivals held in 2003 and 2204, and the publication of a book entitled Dreams of a Nation: On Palestinian Cinema authored by Dr. Hamid Dabashi (Verso, 2006).
The Palestinian Museum – Non-Governmental Association dedicated to supporting an open and dynamic Palestinian culture nationally and internationally. The Museum presents and engages with new perspectives on Palestinian history, society and culture. It also offers spaces for creative ventures, educational programmes and innovative research.*
PASSIA seeks to present the Palestinian Question in its national, Arab and international contexts through academic research, dialogue, education and publication. In order to facilitate understanding of Palestinian positions, it endeavors to analyze current policy issues, provide a constructive forum for open discussion, conduct high quality, independent research and publish studies and information papers. In addition, PASSIA aims to empower young Palestinians through training programs and seminars that build capacity, skills and expertise.*
The Institute for Palestine Studies (IPS) was established in Beirut in 1963 as an independent non-profit research institution, unaffiliated with any political organization or government. The creation of the institute, the first of its kind in the Arab world, occurred at a time when the Palestine Question was regaining its central place in inter-Arab politics and when Palestinian identity was regaining its vitality.*
The Center for Palestine Studies promotes the academic study of Palestine by supporting research, teaching, and intellectual collaboration among scholars within Columbia University and beyond. CPS provides an institutional home for faculty, post-doctoral researchers, and students at Columbia in fields that include history, literary studies, the social sciences, religion, philosophy, law, archaeology, architecture, and the arts. CPS also builds connections with other institutions and scholars to strengthen the academic study of Palestine and Palestinians throughout the United States and the world.*
The New Directions in Palestinian Studies research initiative of Brown University’s Center for Middle East Studies, launched in 2012. Over the past generation, the field of Palestine and Palestinian studies has grown rapidly, attracting some of the best and brightest scholars. Launched as a research initiative of Brown University’s Middle East Studies program in 2012, New Directions in Palestinian Studies (NDPS) has built an international community of scholars dedicated to decolonizing and globalizing this field of study New Directions in . Palestinian Studies brings together emerging and established scholars to shape the agenda of knowledge production on Palestine and the Palestinians.*
Cognizant of the Palestine Studies Trust adjacent to the University of Exeter initiated by Dr Uri Davis in the early 1980s, Professor Ilan Pappé and Dr Ghada Karmi founded the European Centre for Palestinian Studies (ECPS) in 2009. It is dedicated to producing interdisciplinary on the history of Palestine and the Palestine/Israel conflict.*
“The mission is thus an open archive dedicated to long-term preservation and to liberation: it is a reliable counter-archive of the Palestinian people.”
The archive is being preserved at The Birzeit University. Received documents from organizational collections, private family documents and archival materials collected by individuals, are organized, categorized, and uploaded to the online archive.
The archived materials will assist interested persons and researchers in understanding Palestinian society and the lives of Palestinians.
What distinguishes BZUPAP is the chronological, spatial and topical diversity of its holdings. Documents collected include the most diverse types of written and audiovisual materials (texts, photographs, videos, recordings)
With a clear indication regarding the donor and the source, the archive primary documents consist of: 17000 documents are already uploaded on the website, 30000 documents are in progress of uploading, 7000 documents are being translated from the Ottoman language.
As for the Special documents, there are newspapers since 1909, Old post cards, documents from the Arab National Committee since 1948 and Ottoman documents in Arabic
The user-friendly website provides easy access to its Arabic and English language materials. The digital archive is an essential source for the history, politics and culture of the Palestinian people.
The Middle Eastern and North African Newspapers collection is part of East View’s Global Press Archive® (GPA) program. Open Access to this collection is made possible through the generous support of the Center for Research Libraries and its member institutions.
“Supporting Area Studies and Advancing Digital Humanities”
“The East View Global Press Archive® (GPA) is a program that embraces an unprecedented variety of global news publications, presented in full-image and full-text format optimized for scholarly use… GPA is the result of a landmark initiative of Stanford Libraries and the Hoover Institution Library & Archives to digitally preserve and make more accessible thousands of original print newspaper publications collected by the Hoover Institution and now housed by Stanford Libraries”
The Middle Eastern and North African Newspapers collection includes publications ranging from across a dynamic region. A broad overview on important historic events from 1870 to 2019.
Total Publications 84
Total Pages 896,018
Total Issues 81,254
The collection comprises out-of-copyright, orphaned content, mostly in Arabic, but also includes key titles in English and French. The platform can be viewed in Arabic or in English. The collection offers a unique opportunity to researchers to access content, never been digitized or available as open access material, from the Middle East and North Africa.
Browsing the collection
The Middle Eastern and North African Newspapers can be browsed in 3 different ways:
Title navigation: Listing all the 48 titles alphabetically including the country, city, language and date range availability.
Date navigation: An interactive calendar where you can select a specific date. A list of publication that correspond to the selected date, if available, will display.
Map navigation: An interactive map displaying pins of newspaper publications based on the geographic location.
On the home page there is a cool feature, a random selections of publications that was published on a day that matches today’s date.
Searching the collection
You can conduct a simple search using keywords or an exact phrase using quotation marks around your search terms. The Boolean operators AND, OR and NOT help in refining the search results. Also, there is an advanced search option that allows you to limit and narrow down your search results.
Searching the collection can be performed using Arabic, English or French. The keyboard button displays Arabic letters and it is quite useful to those with English keyboard only. It is worthwhile searching a chosen keyword in various languages, as results may vary.
Access to East View Global Press Archive® databases is provided solely for academic and research purposes. To learn more about the use of the materials, citation guide and copyright click here
Khamseen: Islamic Art History Online is a brand new open-access platform making available Islamic art, architecture, and visual culture resources primarily to support the interactive learning and teaching of Islamic art history, and in particular educators “who face limited access to institutional and archival resources”, but also to “educate and inspire interested audiences outside of academia”.
At the time of our visit, Khamseen included a series of ten to fifteen minutes-long video presentations focusing on a variety of topics: Persian miniatures, Mosques architecture, textile in traditional Tentmaking, etc. To date, no less than twenty-five international Islamic art history specialists contributed to the the platform.
Further developments of Khamseen will focus on: “(…) expand[ing] the range of subjects and materials to provide a rich repository of resources in the realm of digital Islamic humanities, [and] (…) expand[ing] the project’s accessibility and foster a global audience through closed captioning and providing content in multiple languages [seeking] to take the study of Islamic art out to the world, reaching a truly international level of engagement and learning thanks to the possibilities of integrated digital technologies.”
Directed by Dr. Elizabeth Campbell, Professor of Middle East History at Daemen College in Amherst, New York, and Dr. Marie LaBrosse, an independent writer, translator and poet, who both used to work at the American University of Iraq, Sulaimani (AUIS), Kashkul also includes six scholars focusing on the numerous projects. In 2017-2018 and 2018-2019, the collective welcomed two artists-in-residence: Kurdish painter and sculptor Ismail Khayat and Mexican poet David Shook.
Crux “aims to understand how devotion becomes violent and how violent devotion can become peaceful.” Crux relies on case studies of specific areas and creates “in-depth profiles of Islamic thought leaders who are influential within these communities.”
Talabani Tekiye studies the theology and religious practice of the Talabani Tekiye and Mosque of Kirkuk, a bastion of liberal Islam, “and how, over generations, people have maintained their openness.”
Mosul Lives is meant to provide “a picture of daily life in Mosul, before the Islamic State, and the American presence of 2003.” This projects is based on extensive interviews.
Handmade “documents traditional crafts and practices in Iraq and its Kurdish regions and the stories of those who continue them, preserving the cultural heritage of daily life.”
Film, Music and Art Archives aims at collecting and preserving “contemporary culture in Iraq and its Kurdish regions.” The database features a personal library for each artist including scans of their works, translation, subtitles, etc.
Arrival‘s goal is the publication of an anthology of Kurdish poetry in translation. Currently, the project focuses on selecting, translating, analyzing and comparing “critical literary contributions from every century of Kurdish poetry.”
The Abu Ghraib Collection includes “letters, objects, and books made by a political prisoner in Abu Ghraib under Saddam Hussein” showing “how prisoners maintained hope, connection and the ability to express their ideas.”
The Referendum collection focuses on “how people and their political parties campaigned, expressed opinions, and voted.”
The Stone Man was a collaboration between artist-in-residence Ismail Khayat and student artists that resulted in a retrospective of Khayat’s work as well as a sculpture garden (The Stone Garden) located on the AUIS campus.
Kashkulistan is a manuscripts, and artifacts collecting, cataloguing and digitization project lead in collaboration with regional archives, collectors and scholars.
If you want to learn more about Kashkul and be informed of their activities, you may follow them on Instagram: @kash_kul
Ten years ago, the first items from the Islamic Studies Library (ISL) collection located in Rare Books and Special Collections (RBSC) were digitized. Over the years, the Islamic Studies Library and Digital Initiatives (DI) have developed a strong link, and the history of this decade-long collaboration is worth sharing with our community. This continuous teamwork resulted in launching multiple digital exhibitions, an Internet Archive ISL Collection and various research projects.
Digital Exhibitions and Collections
The first collaboration, Beautiful calligraphy ensures entrance to Paradise, started with a physical display in the Islamic Studies Library from November 1st, 2010 to March 31st 2011. The Calligraphy panels came from McGill University’s Rare Books and Special Collections and the Islamic Studies Library holdings located in RBSC. The physical exhibition included sixteen items representing various styles of Arabic calligraphy: from dry black and white calligraphy of the 10th century to colorful illuminated pieces of the 19th century, all of which recounted a brief history of Arabic/Islamic calligraphy. The Digital Exhibit: http://digital.library.mcgill.ca/islamic_calligraphy/index.php.
The second collaboration, The Shahnameh by Ferdowsi, also started as a physical display in the Islamic Studies Library, from April 1st to October 31st, 2011. Here again, the physical exhibition included sixteen Shahnameh folios coming from McGill University’s Rare Books and Special Collections and the Islamic Studies Library holdings located in RBSC. Shahnameh by Ferdowsi offered the visitor an opportunity to experience some of the heroes and villains of this remarkable epic poem and to gather a diverse overview of this celebrated text as well as the magnificence of Persian painting. The Digital Exhibit: http://digital.library.mcgill.ca/shahnameh/index.php.
The third collaboration, Arabic Lithographed Books, drew upon selections from Arabic lithographed books. The collection was on display in the Islamic Studies Library between February 1st and September 30th 2014, and later formed the basis for the Islamic Lithographs digital collection. Since then, the digitization of Islamic lithographs at McGill has become a work in progress, and the resulting digital collection a continually updated resource. This Collection includes many examples of lithographed books in Arabic, Persian, Ottoman Turkish, and Urdu, dated from the eighteenth century until the mid-twentieth century showcasing different calligraphic styles, graphic designs, and publishing houses from the Muslim world and Europe. Items from the Islamic Lithographs digital collection were the first to be uploaded to the Islamic Studies Library Internet Archives collection. The Digital Exhibit: http://digital.library.mcgill.ca/islamic_lithographs/.
Exhibits photo credit: Klaus Fiedler
Since 2014, an increasing number of digitized materials from the ISL’s various collections have become accessible on Internet Archive, a non-profit library of millions of free books, movies, software, music, and more. Digital Initiatives uploads digitized materials twice a year. This unique collaboration began with 395 items and today includes digital copies of well over 1279 Arabic, Persian, Ottoman Turkish and Urdu manuscripts, lithographs and rare books from the ISL collection. The materials can be viewed and browsed using the Internet Archive book reader, or downloaded in PDF format. The RSS feed feature of the Internet Archive website offers the opportunity to stay informed of new additions to our collection. Internet Archives Islamic Studies Collection : https://archive.org/details/mcgilluniversityislamicstudies
On demand digitization
Among the first to use this service were two faculty members from the Institute of Islamic studies; Professors F. Jamil Ragep and Robert Wisnovsky selected around 30 manuscripts from the ISL collection and the Osler Library of the History of Medicine collection to be digitized for a joint research project. (Rational Science in Islamic (RASI) project: https://islamsci.mcgill.ca/RASI/). In general, items for personal or scholarly use can be submitted for approval to be digitized by consulting McGill University’s on demand digitization service. Digitized items become available online in full in accordance with Canadian Copyright Law.
Behind the scenes: Digitization at the Library (Video)
A short video created in December 2019 highlights the meticulous work that takes place at Digitization and Digital Initiatives. The Library’s digitization service captures and provides access to millions of pages and objects from the vast and varied collections of McGill Libraries. This service is now even more important and essential during this unprecedented period of remote instruction and library online services.
Blog post editors: Anaïs Salamon, Head Librarian, Dr. Charles Fletcher, Head Library Clerk, and Greg Houston, Digital Initiatives