Category Archives: Open Access

Middle East Women’s Activism

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Middle East Women’s Activism (MEWA) is a digital collection of the School of Oriental and African Studies (SOAS) Library that includes the recordings of audio interviews conducted in 2013 and 2014 by Nicola Christine Pratt, a Politics and International Studies Professor at the University of Warwick. These interviews served as the basis of a publication entitled Embodying Geopolitics: Generations of Women’s Activism in Egypt, Jordan and Lebanon. A complete description of professor Pratt’s research project and field trip can be found on the ‘About‘ page. The full list of interviews (94 in total) is available through SOAS Library catalogue:

Depending on the age of the individual, narratives include details about women’s contributions to the early years of post-independence state building, the impact of the 1967 Arab-Israeli war, women’s participation in revolutionary and radical movements in the 1970s, including the Palestinian National Movement, women’s roles in the Lebanese Civil War of 1975-1990, the rise of NGOs and women’s involvement in the 2011 uprisings.

https://digital.soas.ac.uk/mewa/about/

At the time of our visit, MEWA only included fifteen interviews -mostly in Arabic- with Egyptian, Jordanian and Lebanese women activists from different generations. One can assume that more interviews will be added overtime. Ranging from 30 minutes to one hour in length, the recordings can be listened to directly from the digital collections platform:

In addition to the audio recordings, English transcripts (when interview was conducted in English) or English translations (when interview was conducted in Arabic) are available in different formats. Visitors can move from one view to another using the tabs menu at the top of the page.

PDF View
Page Images View
Thumbnails View

Another interesting feature included in MEWA is the option to visualize the exact location where the interview was conducted:

Each interview is thoroughly described in a variety of standardized formats making it easy for anyone who would want to reuse it:

Standard View
MARC View
METS/MODS View
MARC XML View

It is also possible to download all items related to an interview from the same page. Downloads include:

  • the description in word (docx)
  • the transcript in pdf
  • the audio recording in mp3, ogg and wav.

Last, visitors can access usage statistics of each interview published on MEWA:

This digital audio archive will appeal not only to scholars but also members of the general public.

Attasi Foundation collection: Syrian art and culture

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Atassi Foundation was established in 2016 as a non-profit initiative with the mission to safeguard and promote modern and contemporary Syrian art as well as archives from Syria.

Elias Ayoub, Jasmine Fall, acrylic on canvas, 69 x 139 cm, 2022, presented at New Perspectives Project, @ Foundry from February 27th to April 10th, 2023

This Foundation is the legacy of Atassi Gallery which was a private art gallery founded by two sisters Mouna and Mayla Atassi in 1986 in the attic of their bookstore. The art gallery later expanded its activities thus hosted some exhibitions by renowned Syrian artists (Fateh Moudarres, Abdullah Mourad, and Ahmad Durak-Sibai). Later the gallery moved from Homs to Damascus and started their international and regional collaborations, symposiums, publication…

Art work by Mohamad Khayata presented at New Perspectives Project, @ Foundry from February 27th to April 10th, 2023


Atassi Gallery having an important role in Syria’s emerging independent cultural scene, and being hub for intellectuals, writers, filmmakers and artist, transformed into Atassi Foundation in response to challenging times in the recent years with “the belief that art and culture play a necessary and vital role in subduing the ravages of violence, repairing the damages of war and in preserving the history and culture of Syria for generations to come. “

“The voices of artists today rise to counter destruction and violence, to make sense of it and to persevere. Their talents and work are sources of hope, identity and inspiration for future generations.” -Shireen Atassi

https://www.atassifoundation.com/news

Atassi Foundation is aiming to promote Syrian’s cultural heritage as well as critical thinking, research and knowledge promoting to connect the past and future of art production. To achieve this goal, the Atassi Foundation has provided access to a diverse range of materials and information, including various art collection, projects, journal publication (The Journal), podcast (HIWAR) and last but not least an archive collection: Modern Art Syria Archive (MASA).

Atassi Foundation’s art collection consists of early 20th century modern and contemporary Syrian art work and showcases the work of over 70 artists in various forms from paper to photography, sculpture and more.

Artworks are organized by artists’ names, and a description and biography of the artist are provided.

The Projects cover Foundation’s collaborations, Exhibition, research projects and publications. Under each category comprehensive information is provided along with links to the project or research or the collection.

The modern Art Syria Archive is an online archive focusing on modern Syrian art, aiming to draw international attention and interest in Syrian art.

It provides access to three archive collections: The Archives of Atassi Gallery, The Archives of Mahmoud Hammad and The Archives of Leila Nseir. Each consists of various types of archival material including photographs, letters, personal documents, manuscripts and etc, as well as comprehensive information and history about the archive and the artist. Moreover, all the archival materials are accessible as well.

The Archives of Leila Nseir: Leila Nseir at the Faculty of Fine Arts in Cairo, 60s

In summary, the Atassi Foundation is dedicated to preserving Syria’s rich cultural heritage and advancing the future of its artistic landscape.

Art work by Fadi Yazigi: Untitled’ Mixed Media in Box-Front, 26 x 33 x 25 cm
Art work by Fadi Yazigi: “Untitled” 74 x 60 cm. Mixed Media on Paper on Canvas, 2012
Art work by Lutfi Al Romhein
Art work by Monif Ajaj, at New Perspectives Project, 2021

Country of Words: A Transnational Atlas for Palestinian Literature

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Country of Words: A Transnational Atlas for Palestinian Literature is a portal documenting and mapping the history of Palestinian literature around the World in the 20th century. The project was launched and is managed by Dr. Refqa Abu-Remaileh, Professor of Modern Arabic Literature and Film at the Freie Universität Berlin. This project is part of an international collaborative project, PalREAD, funded by a European Research Council’s Starting Grant. The website was developed and is hosted by Stanford University Press.

Country of Words aims at uncovering and highlighting the connections between Palestinian literary products originating from different places around the world:

“because of its transnational reality, Palestinian literature makes it possible for us to read together the national and the exilic. It also gives us the opportunity to explore new ways to write nonlinear and nonconventional literary histories of displacement and movement, and to uncover new constellations, networks, trajectories, relationships, and collaborations across multiple literary geographies and periods.”

Dr. Abu-Remaileh, countryofwords.org

Country of Words offers visitors numerous options to navigate its content, including:

  • a Timeline running from 1880 to 2020
  • Networks of periods, people, periodicals and themes
  • Visualizations including maps, networks, timelines, temporal evolutions, trajectories and information cards
  • Audio Interviews in Arabic with important Palestinian writers.

Timeline

The timeline is broken down into periods of time shorter than the full 140 years coverage. Literary Diasporas: The Mahjar (1880-1950) examines the literary production during a time of extensive migration to the American continent and the Caribbean. Literature under British Occupation (1900-1948) limits to literature produced during the late Ottoman and British Mandate period. Literature under Triple Occupation post-Nakba (1948-1967) centers on the effects of the parallel Israeli, Jordanian and Egyptian control on writers and literature. Literary Diasporas: post-Nakba Scattering (1948-1967) focuses on the literary production of refugees and exiled writers. Literary Diasporas: A Golden Age in Exile (1967-1982) explores the literary production of new refugees (post-1967). Literarure under Israeli Occupation (1967-1994) covers writings from the Occupied Territories (West Bank, Gaza, Jerusalem). The last timeline, Literary Diasporas : post-Beirut Fragmentation (1982-1994) focuses on literature after the dispersion of Palestinians across the Arab World, Cyprus and Europe.

Network

The network mapping allows to visualize and explore the connections between time periods (yellow), authors (blue), periodicals (green) and themes (red). Visitors are invited to click on the nodes to obtain more information about the specific topic.

Visualizations

Salma Khadra Jayyusi
Contributor Network of Lebanese and Palestinian-Led Periodicals in Beirut
Prison Literature (1967—present)

Visualizations allows to explore the life, migrations and literary production of a writer, contributions to specific periodicals, or the production of a certain type of literature (Prison literature as shown here). Visitors will undoubtedly appreciate the benefits of visualizing information in many different formats.

Audio Interviews

The ten one-hour long interviews of key Palestinian literary figures available on this page are part of a podcast series entitled Balad min kalam (Country of Words). Each episode starts by a discussion of literary evolution, movements across periods and geographies, circles and networks, and periodicals to which they contributed. Then, the guests read a text they have written and explain why they chose it. After that, they are asked to cite a work they think influenced the course of Palestinian literary history. Last, “many of the guests spoke about their personal libraries and how their book collections have been affected by censorship, constant movement, loss, and destruction. Interviews are also indexed and accessible by time period.”

To conclude, we want to note that Country of Words: A Transnational Atlas for Palestinian Literature has been described in very positive terms by many experts in the field. Among them, Professor Michelle Hartman (McGill University) wrote: “With its user-friendly interface, well-suited and attractive visualizations, intelligent analysis, and fascinating author interviews, Country of Words is an invaluable resource that documents and engages the diversity of Palestinian literary production over time, expanding access to it in an inviting digital format.”

The Palestinian Museum Digital Archive / أرشيف المتحف الفلسطيني الرقمي

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Sponsored by the Arcadia fund, the Palestinian Museum Digital Archive aims at collecting, digitizing and making widely available (in Open Access) endangered archival materials documenting Palestinian life and history. Started in 2018, the project has now reached its third phase involving partnerships inside and outside Palestine as well as a broadening of the geographical scope covered.

At the time of our visit, the archive included over 200,000 documents like “identification papers, official records, letters, diaries, manuscripts, maps, photographs, films, and audio recordings” collected from individuals, families, and institutions. The Palestinian Museum Digital Archive only keeps digital surrogates and return the original documents to their owners after processing.

Visitors can either Search the archive, Browse collections or Explore topics.

The basic search only requires to enter keyword(s) in the search bar at the top-right corner of the page. The advanced search offers a more refined search where you can limit by:

  • date (default year range is 1900-2024)
  • type(s) of material
  • collection(s) (generally named after donor)
  • entity(ies) (i.e. institution, organization, etc.)
  • location(s).
Basic search
Advanced search

The collection browse allows to identify specific archives of interest before searching them. The number of documents in each collection range from less than a hundred to thousands of documents. The time period covered is clearly stated at the right-top corner of each collection:

The topics exploration offers a different way of navigating the website through subjects assigned to documents. Among the long list of topics (fifteen in total), visitors will find the following:

The number of documents in each category is indicated right beside the topic, and when scrolling over the topic, a series of thumbnails gives a snapshot of items that will be found under this topic. To ease navigation, the list could be sorted alphabetically.

It is important to note that all materials in the Palestinian Museum Digital Archive are “copyrighted either by the museum or by third parties who have granted permission for their materials to be included on this site. Visitors can therefore only use the documents “for personal, educational, non-commercial use, or for fair use as defined in the United States copyright laws.” It is possible to ask for high-resolution images by emailing info@palarchive.org or sending the request via the form available here.

To submit your personal archive, you may fill out the following form:

The website is entirely bilingual English and Arabic.

Middle Eastern Film Posters & Lobby Cards

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The Middle Eastern Film Posters & Lobby Cards Collection is a digital collection launched by Princeton University Library to make available their Arabic Movie Posters and Lobby Cards collection to worldwide scholars. Acquired in Lebanon in 2008, the collection includes 1,748 posters, and 768 lobby cards produced mostly in Egypt, Lebanon, Syria and Iraq. At the time of our visit, the digital collection included 1,646 items which represents a large proportion of the overall collection, and newly digitized items keep being added to it.

The digital collection can be navigated in two ways. The left-hand side filters allow visitors to limit their search by place of origin, genre or date of creation. The categories accessible via the vignettes below allow to access the materials sorted by both genre and geographical origin:

Within each category, results can be displayed either in a list or a table form, and sorted by title, author, and date (ascending/descending).

When opening an item, the page will show the high resolution image and a succinct description at the bottom. For more information about the document, visitors can expand the right-hand side panel. Images can be displayed full-screen, enlarged and reduced, downloaded (as jpeg, tiff or pdf) or shared via a link.

We encourage users to read carefully the Statement on Harmful Content and the Rights and Permissions page as they contain important information.

Islamic Manuscripts, Art collection and Rare Books at Walters Art Museum

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The Walters Art Museum’s collection encompasses art from various cultures extending over seven thousand years. Many of the items in their collection can be explored through their website at works of art site and Walters Ex Libris.

Beyond a wide range of artistic objects, their collection includes manuscripts and artwork on paper, as well as books and remarkable pieces of Islamic art. This includes valuable items like miniature paintings, beautifully illuminated Qurans and etc.

Leaf from Qur’an.
Bowl with Seated Figures Flanking a Tree
Islamic (Artist)
Jug with Sphinxes, Griffins, and Heron
Islamic (Artist)

Moreover, the Museum is house to” 900 printed manuscripts, 1300 incunabula and 2000 rare books”. Of these, 433 manuscripts and more than 8000 printed papers are digitized and accessible through Walters Ex Libris. These manuscripts cover a variety of periods, including works from the Safavid, Mughal and Ottoman empire.

Moreover, as a museum dedicated to education, storytelling, and fostering community engagement through knowledge and cultural expression, the Walters Art Museum is actively digitizing and making their collection accessible to the public. Some of their digitized exhibitions also serve this purpose. One such exhibition, ‘Poetry and Prayer: Islamic Manuscripts from the Walters Art,’ beautifully showcased a variety of books, manuscripts, and individual art pieces. This collection includes beautifully illuminated manuscripts featuring poetry, prayers, miniature art, the Quran, and more. Each item has been digitized, and an informative description is offered.

While exploring this specific exhibition along with some of their digitized manuscripts, we noticed some similarities or common characteristics between their displayed materials with some of the manuscripts and rare books available at Islamic Studies Library rare book collection. Thus, we decided to highlight some of them as an example.

However, there are many more similar cases to be explored. Some of McGill Islamic Studies Library’s digitized manuscripts and rare books can be found here. The Walters Art Museum manuscripts can be found here.

For example, this Mughal color-wash drawing (portrait of Lal Kunwar) at the Walters Art Museum and this miniature of a princess at McGill Rare book collection, have various elements in common, while created in different time.

Portrait of Lal Kunwar W.712
Miniature of a princess, MSP 53 Rare Books/Special Collections

……………………………………………………………………………………………………………………………Additionally, these two manuscripts seem to share many characteristics. Both are Persian poetry books, featuring similar calligraphy styles and very comparable ornate illuminations. However, one (“Yusuf and Zulaykha” by Jami) is housed at the Walters Art Museum, and the other one (poetry book by Hafiz ) is at McGill Rare Books. Are these two manuscripts made in the same manuscript workshop but, in the course of history, ended up in two different parts of the world?

Dīvān-i Ḥāfiẓ. 15th century
Yusuf and Zulaykha. 16th century

These two painting share some similarities as well while the miniature of the Mughul Emperor is housed at McGill and the portrait of emperor Jahangir is at The Walters Art Museum.

Miniature of Mughul Emperor Farrukh-siyar, Persian Manuscript. MSP leaf 57.
Single leaf of a portrait of the emperor Jahangir W.705

Dīvān-i Ḥāfiẓ. 16th century
Hafiz (Persian) 16th century

There are more items at both places that can be compared and explored to find similarities or differences. These two Hafiz poetry books (mentioned above) can be examined from a different perspective. Although they were created around the same time, unlike the previously mentioned example, these two display distinct illustration and calligraphy styles, yet they also share some similarities.

The Walters Art Museum, in line with their commitment to public education and connecting art to people’s lives, publishes the Journal of Walters Art Museum as an open-access resource, providing free access to research about their collection which can be found here and contains valuable information about their
collection. While comparing or exploring their collection, this resource can also be used to obtain more background information about their various manuscripts or rare books.

“The Walters Art Museum’s Mission has been to bring art and people together and to create a place where people of every background can be moved by art”

The Timbuktu Manuscripts

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The Timbuktu Manuscripts: discover a trove of Timbuktu’s ancient manuscripts digital exhibition and collection is the result of a collaboration between a Malian association called SAVAMA-DCI whose main goal is to preserve and make widely available Arabic manuscripts from Timbuktu and Google Arts & Culture.

Back in 1973, a preservation campaign of the Timbuktu’s collection made of approximately 400,000 codices was initiated by the Ahmed Baba Center (CEDRAB). In 1996, the newly founded association SAVAMA-DCI started raising awareness among private owners about the value of their family manuscripts, providing technical and financial support for the processing and conservation of these materials, and encouraging them to keep the manuscripts in their possession. If funding was limited at first, the association was over time able to collect enough funds to ensure the preservation and inventory of the collections. In 2012, with the jihadist occupation of Northern Mali, the fear that manuscripts would be destroyed lead to the transfer of Timbuktu’s manuscripts collections to other towns in the region like Bamako. According to SAMAVA-DCI over 370.000 codices were rescued.

« Dans la nuit noire de notre existence, les manuscrits sont les projecteurs qui éclairent le passé. »

Dr. Abdel Kader Haidara, fondateur de SAVAMA-DCI

The Timbuktu Manuscripts virtual exhibition is incredibly rich (more than 40.000 manuscripts from libraries and private collections) and provides many options to learn about the collections, their history, and the rescue and preservation processes.

Explore the numerous options available to navigate the exhibition

The website includes:

  • shorts videos documenting the manuscripts’ preservation
  • pictures documenting the rescue operations, and the digitization of manuscripts
  • topical sub-collections of digitized manuscripts (astronomy, ethics, jurisprudence, mathematics, medicine, geography, etc.)
  • general information about the Arabic manuscripts tradition with a focus on the African tradition
  • detailed descriptions of the collections composing The Timbuktu Manuscripts collection
  • historical and literary information situating these manuscripts in the larger context of knowledge production and dissemination in Africa and beyond.

The most incredible experience offered via this virtual exhibition is the digital archives of the Timbuktu Manuscripts:

The main page gallery is staggering.

The archives includes more than 400,000 handwritten pages from the Qur’an, mathematical, astronomical and medical treatises, sex and black magic manuals, etc. dating from the 11th to the 20th century. A selection of manuscripts are accessible full-text from section 2. The Books. Section 3. Grid View allows to glance at individual pages displayed in a table view when section 4. A Universe of Verses gives access to individual pages in what appears like a much less organized display:

  • 2. The Books
  • 3. Grid View
  • 4. A Universe of Verses

At the very bottom of the main page, The Timbuktu Manuscripts virtual exhibition links to other Google Arts & Culture projects to learn more about Malian music, modern art, architectural heritage, etc.

The Timbuktu Manuscripts website will default to the language of your Google Account. But the interface is accessible in any language available in Google (although some content may not translate).

And for those eager to learn more about the Timbuktu manuscripts, we suggest they go visit the Tombouctou Manuscripts Project website. This project focusing on the “content of the manuscripts, the circulation of scholars and ideas, the economy of the manuscript book, and other aspects of the “work of scholarship” in Timbuktu” was established in 2003 by an Associate Professor at the University of Cape Town (South Africa) and remains very active.

Digital Ottoman Studies

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Digital Ottoman Studies (DOS) is a hub contributing to growing field of Digital Humanities by presenting projects, publications, tools, and events through the lens of Ottoman and Turkish studies.

This website seeks to create a digital network for future projects by bringing together diverse platforms, institutions, studies, and individuals. Thus, DOS provides access to projects and data bases that are created by other organization which includes Ottoman Archives, maps, manuscripts and etc.

Information on DOS is classified into 6 categories of Projects, publications, Tools, Databases, Platforms and under each category, there are sub-categories that direct the users to the respective projects which are encompassing “600-year-old Ottoman Empire’s archival heritage, diverse ethnics and geographical regions., etc.”

The Project category brings together variety of works in GIS, Network Analysis, Text Analysis, Databases, and 3D-AR-VR, each provides access to a wide range of research and academic projects form historical urban and industrial comparative analysis to Mapping Ottoman empire and region, or a digital history research project on Travels in the 19th century Ottoman empire.

Also, users can browse different database projects like Ottoman Inscriptions, Digital History, The Open Islamicate Text Initiative, etc. When possible, the DOS has provided the name of the project managers and then directs the user to the project’s main website.

Moreover, in the Publication tab users can have access a list of published articles, books and dissertations that are classified based on the topic/subject and some are accessible as an open access publication. 

The tab of Databases has organized a list of various type of databases such as Archives, Map collections, manuscripts collections, dictionaries, E-resources, Photo collections, calendar convertors and Gazetteers.

https://www.getty.edu/research/tools/digital_collections/notable/gigord.html

The Platform tab introduces the users to wide range of websites and podcasts including Hazine, Hajj Trail (Game), Ottoman History Podcast, Digital Humanities Turkey

“DOS is founded by Fatma Aladağ and she is coordinating the platform, whilst Assoc. Prof. Yunus Uğur is leading the project.”

Collection of Persian, Mughul and Indian Traditions Miniature Paintings

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The Minassian collection consists of numerous precious miniature paintings from the Persian, Mughul and Indian traditions. The manuscripts and miniature paintings of this collection are housed in John Hay Library at Brown University.

“Figure lying on bed in outdoor setting is watched by four other figures. Possible funeral scene. The text that is second from the top, encased in the peachish area, says, in Arabic, “Bismillah e rehman i rahim”.
“Leaf” Minassian Collection of Persian, Mughal, and Indian Miniature Paintings. Brown Digital Repository. Brown University Library. https://repository.library.brown.edu/studio/item/bdr:80654/

This collection is from the estate of Mrs. Adrienne Minassian the daughter of an active art collector and dealer of Islamic and Near-Eastern antiquities, Kirkor Minassian (1874-1944), he was based in New York and Paris in the early 20th century. Mrs. Minassian continued her father’s legacy and she too was one of the few dealers of Islamic art in America. After her passing in a serries of bequests her collection was given to Brown University. To read more about Mrs. Minassian and her Father click here.

This collection is accessible online through the Brown University Center for Digital Scholarship.

The paintings often include text from Persian and Indian tales. Many of the illustrations within the Minassian Collection are depictions of stories from the classical Persian text, Shahnama of Ferdowsi.

Black ink drawing of male bust in profile. Fine line quality, no color used.
“Leaf” Minassian Collection of Persian, Mughal, and Indian Miniature Paintings. Brown Digital Repository. Brown University Library. https://repository.library.brown.edu/studio/item/bdr:80739/

Physical Description: Excellent workmanship on miniature. Image in excellent condition, slight damage to surrounding paper. Paper is rather heavy, but not coarse. Water stain evident on verso. Beautiful specimen. Colors appear as brilliant as inlay. Leaf is very similar to a depiction of Yusof published in Soudavir which is identified as Bukhara style.
“Leaf” Minassian Collection of Persian, Mughal, and Indian Miniature Paintings. Brown Digital Repository. Brown University Library. https://repository.library.brown.edu/studio/item/bdr:80651/

the collection can be browsed based on 3 Thematic Categories of Image and content, Material and Technique and Style and Type. Under each category there are more sub-categories. On the item level a description consisting of an abstract of the item and a note is provided, which present more detailed technical and historic information about the paintings style and content .

A highlight of the Islamic Studies Library research guides

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Seizing the opportunity of the start of this new academic year, I decided to highlight the Islamic Studies Library (ISL) research guides that library staff conscientiously developed over the past ten years, and keep updating regularly. But before diving into the details, let me start by defining what a research guide is: a research guide -also called ‘subject guide’- is a curated list of resources focusing on a specific topic, discipline, or field of study. The research guides include both resources owned by the McGill library available only to the McGill community, and Open Access resources that are freely accessible to anyone on the internet. Our guides were developed by library staff with the help of graduate students, course lecturers and faculty of the Institute of Islamic Studies.

  1. How to access the ISL research guides?
    There are two ways you can access our research guides. Either you go to the Islamic Studies Library main page and look for the ‘Key resources’ menu:
https://www.mcgill.ca/library/branches/islamic

Or you go to the main library webpage and look for the ‘Humanities’ tab in the ‘Subject guides’ column:

2. Which disciplines or fields are covered?
Originally, we had only two guides, but over the years we added ten more in the aim to cover the broad range of topics and disciplines taught at the Institute of Islamic Studies. Currently, you will find the following guides:

3. How can research guides help me?
Research guides list and link to selected resources such as reference materials (encyclopedias, dictionaries), periodicals, monographs, primary sources (archives, government documents, photographs, maps, etc.), websites, databases, etc. In addition, our guides include a number of tools that will be useful to Islamic and Middle East studies scholars like date converters, virtual keyboards for Arabic Persian, Ottoman Turkish and Urdu, as well as romanization and transliteration tables for these languages in non-roman scripts. As such, these guides are excellent starting points to dive into a topic, and familiarize yourself with the McGill library collections.

4. Where to go beyond research guides?
Within each research guide, you can access the library online catalogue (Sofia) to search for more resources on your topic(s) of interest at McGill, in Québec, and worldwide. If you need help doing so, you are invited to contact your liaison librarian (me) either by email or phone (+1-514-449-1952), or to make an appointment for a consult using the scheduling tool accessible from the guides: