For Palestine

“We can not fight for our rights and our history as well as future until we are armed with weapons of criticism and dedicated consciousness.”
― Edward W. Said

In this blog post, we will highlight resources on Palestine, and Palestinians to support students and researchers focusing on this area and seeking to understand the Palestinian Question in its national, Arab, and international contexts. Our list of resources includes digital initiatives, projects, archives, NGOs, academic centers, etc. all which have in common to document Palestine’s history and Palestinians’ lives and preserve the Palestinian heritage. Gratefully, these various collaborative efforts between institutions make materials available in Open Access to scholars, students, and the wider public.

Palestine Flag. Wikimedia Commons. Author: Makbula Nassar

The project is a collaborative project of the Palestinian Museum and the Institute for Palestine Studies. To promote a dynamic vision of Palestinian culture engaged with new perspectives on history, society and culture.

Presents a series of anonymous but intimate portraits of Palestinian families living under the Israeli Citizenship and Entry into Israel Law. This Law, passed in 2003, prevents Palestinians from the Occupied Palestinian Territories (OPT) married to Israeli citizens from obtaining a legal status in Israel, violating their right to a family life in Israel.

The archive is an oral history collective established in Lebanon in 2002. Since it’s inception, the Archive has recorded over 650 video interviews with first generation Palestinian refugees in Lebanon about their recollections of life in Palestine and the events that led to their displacement. These eyewitness narratives, with refugees from more than 150 Palestinian villages and towns, recall social and cultural life in Palestine before 1948, relations with neighboring Jewish communities and the British Mandate, the 1948 expulsion, and the early years of exile. The aim has been to document this critical period through the voices and experiences of those who lived through it, and to bear witness in a way shaped not by political symbolism but rather by the rhythms of personal memory.*

The Birzeit University Palestinian Archive Project (BZUPAP) is dedicated to documenting the life of Palestinians (persons, families and organizations) over the past century. Documents collected include the most diverse types of written and audiovisual materials (texts, photographs, videos, recordings). This growing, largely open archive is being preserved at the university. Incoming documents are organized, categorized, and uploaded on the electronic website http://awraq.birzeit.edu with a clear indication of the donor. The website constitutes an excellent resource for all interested persons and a primary source for researchers around the world, with its easy access and its Arabic and English language materials.*

The Palestine poster tradition offers an exceptional perspective on the history of modern Palestine and is, simultaneously, a much under-valued component of its cultural heritage. The posters themselves are important repositories of primary data. They provide a unique lens through which audiences can gain insight into the attitudes and aspirations of people directly involved in the contemporary history of Palestine, as they have experienced it and recorded it in graphic art.

Al-Quds open archive is the result of a collaboration between the Center for Palestine Studies at Columbia University (CPS) and the Institute for Palestine Studies in Ramallah. Al-Quds open archive includes 392 issues published between 1908 and 1914. The significance of al-Quds, aside from it being the first newspaper in Palestine, was its timing. It both celebrated and tested the new freedom of publication proclaimed by the Ottoman Constitutional Revolution of 1908.

The Jerusalem Quarterly is the only journal focused on the city of Jerusalem’s history, political status, and future. It addresses debates about the city and its predicament, as well as future scenarios for solving the problems of Jerusalem. The Jerusalem Quarterly has a prestigious board of advisors selected from leading Palestinian universities and research institutes and an editorial staff. It has been published continuously since 1998 by the Institute of Jerusalem Studies, an IPS affiliate, in Jerusalem and since 2003, in Ramallah. This journal is made available to readers and researchers by special arrangement with the Institute for Palestine Studies.*

The main goal of this project is to digitize the historical periodical collection located at the Al-Aqsa Mosque Library in order to create archival quality digital copies of the deteriorating newspapers and magazines. In addition, the project intends to create multiple derivative copies to extend access of these rare materials to scholars, students and the public.*

The Maps and Cartography section contains two kind of documents: original maps of Jerusalem reproduced here as a tool for researchers, and links to existing sets of Jerusalem maps—both historical and contemporary.

Palestine Open Maps is a platform for map-based exploration and immersive storytelling. This alpha version of the platform allows users to navigate and search the historic map sheets, and to view basic data about present and erased localities.*

In these text-maps by Palestinian writers, you will find a fusion of voices. Writers were asked to write a portrait of the city or town their families come from—experienced or imagined. They were to draw from family members, stories, dreams, or other channels. The contributors are listed under their city of origin; those who come from two different cities are placed under the city they wrote about. This map is an architectural metaphor. It’s a construction site, where readers can watch the map being built with every feature.*

More than 120 village memorial books, about the over 400 Palestinian villages that were depopulated and largely destroyed in the 1948 Arab-Israeli War have been published. Compiled as documentary histories and based on the accounts of those who remember their villages, they are presented as dossiers of evidence that these villages existed and were more than just “a place once on a map.” *

The G. Eric and Edith Matson Photograph Collection is a rich source of historical images of the Middle East. The majority of the images depict Palestine from 1898 to 1946.*

Hanna Safieh collection consist of  black and white photo of Palestine and the Holy Land dating back to 1927 and featuring historic and biblical locations such as Jerusalem and the Old City, Bethlehem, Nazareth, Jericho and more.*

A collection of postcards donated to Columbia University by Steven Wachlin.

Started in the 1990’s, Dreams of a Nation is a Columbia University based archival project aiming at preserving and promoting Palestinian cinema. Dreams of a Nation resulted in the organization of two Palestinian film festivals held in 2003 and 2204, and the publication of a book entitled Dreams of a Nation: On Palestinian Cinema authored by Dr. Hamid Dabashi (Verso, 2006).

The Palestinian Museum – Non-Governmental Association dedicated to supporting an open and dynamic Palestinian culture nationally and internationally. The Museum presents and engages with new perspectives on Palestinian history, society and culture. It also offers spaces for creative ventures, educational programmes and innovative research.*

PASSIA seeks to present the Palestinian Question in its national, Arab and international contexts through academic research, dialogue, education and publication. In order to facilitate understanding of Palestinian positions, it endeavors to analyze current policy issues, provide a constructive forum for open discussion, conduct high quality, independent research and publish studies and information papers. In addition, PASSIA aims to empower young Palestinians through training programs and seminars that build capacity, skills and expertise.*

The Institute for Palestine Studies (IPS) was established in Beirut in 1963 as an independent non-profit research institution, unaffiliated with any political organization or government. The creation of the institute, the first of its kind in the Arab world, occurred at a time when the Palestine Question was regaining its central place in inter-Arab politics and when Palestinian identity was regaining its vitality.*

The Center for Palestine Studies promotes the academic study of Palestine by supporting research, teaching, and intellectual collaboration among scholars within Columbia University and beyond. CPS provides an institutional home for faculty, post-doctoral researchers, and students at Columbia in fields that include history, literary studies, the social sciences, religion, philosophy, law, archaeology, architecture, and the arts. CPS also builds connections with other institutions and scholars to strengthen the academic study of Palestine and Palestinians throughout the United States and the world.*

The New Directions in Palestinian Studies research initiative of Brown University’s Center for Middle East Studies, launched in 2012. Over the past generation, the field of Palestine and Palestinian studies has grown rapidly, attracting some of the best and brightest scholars. Launched as a research initiative of Brown University’s Middle East Studies program in 2012, New Directions in Palestinian Studies (NDPS) has built an international community of scholars dedicated to decolonizing and globalizing this field of study New Directions in . Palestinian Studies brings together emerging and established scholars to shape the agenda of knowledge production on Palestine and the Palestinians.*

Cognizant of the Palestine Studies Trust adjacent to the University of Exeter initiated by Dr Uri Davis in the early 1980s, Professor Ilan Pappé and Dr Ghada Karmi founded the European Centre for Palestinian Studies (ECPS) in 2009. It is dedicated to producing interdisciplinary on the history of Palestine and the Palestine/Israel conflict.*

LAP is a network of self-defined librarians, archivists, and information workers in solidarity with the Palestinian struggle for self-determination.*

*Descriptions of resources provided are taken from the source official website.

The Birzeit University Palestinian Archive Project (BZUPAP)

The Birzeit University Digital Palestinian Archive (BZUDPA) is dedicated to documenting the life of Palestinians and their institutions over the past century.

“The mission is thus an open archive dedicated to long-term preservation and to liberation: it is a reliable counter-archive of the Palestinian people.”

The archive is being preserved at The Birzeit University. Received documents from organizational collections, private family documents and archival materials collected by individuals, are organized, categorized, and uploaded to the online archive.

The archived materials will assist interested persons and researchers in understanding Palestinian society and the lives of Palestinians.

What distinguishes BZUPAP is the chronological, spatial and topical diversity of its holdings. Documents collected include the most diverse types of written and audiovisual materials (texts, photographs, videos, recordings)

Images
Maps
Textual

With a clear indication regarding the donor and the source, the archive primary documents consist of: 17000 documents are already uploaded on the website, 30000 documents are in progress of uploading, 7000 documents are being translated from the Ottoman language.

As for the Special documents, there are newspapers since 1909, Old post cards, documents from the Arab National Committee since 1948 and Ottoman documents in Arabic

The user-friendly website provides easy access to its Arabic and English language materials. The digital archive is an essential source for the history, politics and culture of the Palestinian people.

Journals, magazines, and newspapers open access initiatives

The Egyptian Press Archive of CEDEJ

The Egyptian Press Archive of CEDEJ is an initiative of the Centre d’Études et de Documentation Économiques, Juridiques et Sociales (CEDEJ) based in Cairo and the Bibliotheca Alexandrina (BA) consisting of scanning and publishing online press articles collected and curated by CEDEJ over the past 40 years. To learn more visit the site.

Syrian Print Archive

Syrian Prints Archive is an independent documentary initiative “without any political, partisan or religious affiliations”, that provides archiving and storing services for Syrian print media issued since the outbreak of the March 2011 Revolution, regardless of content or orientations. Between March 2011 and the end of 2014, Syrian media witnessed a significance rise in the number of print publications. To learn more visit the site.

The Directory of Free Arab Journals (DFAJ)

The Directory of Free Arab Journals (DFAJ) is an initiative of Middle Eastern Open Access activists aiming at producing a directory of all open access (OA) scientific journals produced in Arab countries. DFAJ currently includes 250 journals  from 172 publishers in 17 Arab countries. The directory is published under a CC-BY-NC license. Initially launched in 2013, a new version was released in March 2017. To learn more visit the site.

Archives of Arabic cultural and literary journals

This archive aims to preserve Arabic literature and cultural heritage as well as serving research and educational purposes. This digital archives of Arabic cultural and literary journals offers Open Access to no less than 208 journals, among which some of the most significant periodicals of the 19th-20th centuries from Egypt (al-Hilal, al-Manar, al-Muqtataf, etc.), Palestine (al-Karmal), Syria (Journal of the Arabic Academy of Sciences), or Tunisia (al-Fikr). To learn more visit the site.

Middle Eastern and North African Newspapers

The Middle Eastern and North African Newspapers collection is part of East View’s Global Press Archive® (GPA) program. Open Access to this collection is made possible through the generous support of the Center for Research Libraries and its member institutions.. The collection includes publications ranging from across a dynamic region. A broad overview on important historic events from 1870 to 2019. To learn more visit the site.

Middle Eastern and North African Newspapers

The Middle Eastern and North African Newspapers collection is part of East View’s Global Press Archive® (GPA) program. Open Access to this collection is made possible through the generous support of the Center for Research Libraries and its member institutions.

“Supporting Area Studies and Advancing Digital Humanities”

The East View Global Press Archive® (GPA) is a program that embraces an unprecedented variety of global news publications, presented in full-image and full-text format optimized for scholarly use… GPA is the result of a landmark initiative of Stanford Libraries and the Hoover Institution Library & Archives to digitally preserve and make more accessible thousands of original print newspaper publications collected by the Hoover Institution and now housed by Stanford Libraries”

The collection

The Middle Eastern and North African Newspapers collection includes publications ranging from across a dynamic region. A broad overview on important historic events from 1870 to 2019.

Total Publications            84

Total Pages                         896,018

Total Issues                        81,254

The collection comprises out-of-copyright, orphaned content, mostly in Arabic, but also includes key titles in English and French. The platform can be viewed in Arabic or in English. The collection offers a unique opportunity to researchers to access content, never been digitized or available as open access material, from the Middle East and North Africa.

Browsing the collection

The Middle Eastern and North African Newspapers can be browsed in 3 different ways:

Title navigation: Listing all the 48 titles alphabetically including the country, city, language and date range availability.

Date navigation: An interactive calendar where you can select a specific date. A list of publication that correspond to the selected date, if available, will display.  

Map navigation: An interactive map displaying pins of newspaper publications based on the geographic location.

On the home page there is a cool feature, a random selections of publications that was published on a day that matches today’s date.

Searching the collection

You can conduct a simple search using keywords or an exact phrase using quotation marks around your search terms. The Boolean operators AND, OR and NOT help in refining the search results. Also, there is an advanced search option that allows you to limit and narrow down your search results.

Searching the collection can be performed using Arabic, English or French. The keyboard button displays Arabic letters and it is quite useful to those with English keyboard only. It is worthwhile searching a chosen keyword in various languages, as results may vary.

Access to East View Global Press Archive® databases is provided solely for academic and research purposes. To learn more about the use of the materials, citation guide and copyright click here

Exhibition | Beyond words: dancing letters in Islamic calligraphy

Beyond words: dancing letters in Islamic calligraphy was on display in the Islamic Studies Library (ISL) from February 8th to March 13th, 2020. The library closure and service disruptions, caused by Covid-19, made the exhibition inaccessible to our students, professors and visitors. In this blog post, we will provide an overview of the exhibition, featured calligraphers, the ISL calligraphy panels collection and two events organized in conjunction with the exhibition.

Arabic calligraphy is one of the most recognizable forms of Islamic Art. While originally used to preserve the Word of God (Qur’an), Arabic calligraphy also appeared in other written texts (philosophy, literature and poetry). It further developed to represent figurative depictions and decorations that were uncommon in Islamic Art. Distinct scripts and styles like Kufic, Naskh, Raqaa, Diwani, Thuluth or Nastaliq flourished across the Muslim world often unified by specific common principles. Major elements of the Arabic script such as fluid lines and ornamentation offer contemporary calligraphers the flexibility to create a free-form twist on classic techniques, repositioning calligraphy for today’s context.

This exhibition brought together a new wave of calligraphy artists from various corners of the world united by the art of writing and the desire to break through barriers, tell a story and reach other cultures.

Featured Calligraphers

Massoudy chooses a word from the chosen quote and recreates it in much larger dimensions, with its straight lines and its curves and a new geometrical structure. Then, he writes the whole sentence underneath or on the side.

eL Seed is a street artist who uses Arabic calligraphy and a distinctive style, he calls Calligrafitti to spread messages of peace, unity and to underline the commonalities of human existence.

He is the great master of Calligraphy, praiser of the divine word. All the routes of the Mediterranean and the Middle East meet in the qalam of Ghani Alani, without contrast. His writing is not of dualities, but of harmony.

The master calligrapher, who has made the ancient Arabic tradition evolve from its religious roots, is creating deeply intellectual work that reflects his interest in modern poetry and literature, alongside Christian and Sufi philosophy. 

Mahdaoui’s work inspired by Arabic calligraphy is remarkably innovative as the aesthetic dimension of letters brings forth a sense of the poetic, highly rhythmic, arresting us with its rich abstracts compositions.

Karaduman considers calligraphy art as a drawing science in aesthetical terms and conducts research and examinations in this field. He completed approximately 50 Holy Korans, verses and hilye-i sharifs by renovating, revising and imitating artworks of which some belong to calligraphy masters.

Haji Noor Deen brings an immense learning in traditional thought and Islamic art to a modern audience, juxtaposing them in a new calligraphic style all his own, both Eastern and Western.

Zenderoudi has a superb style arising from juxtaposition and simultaneous use of freedom of Western modern art and the power of decorative and visual elements of the Oriental and Iranian traditions.

ISL Calligraphy Collection

A wealth of Arabic/Islamic calligraphy titles were on display and were available for browsing. Now, these titles can be can be found via the McGill library catalog.  In addition to the circulating collection, the McGill Islamic Studies Library has a permanent digital exhibit Arabic/Islamic Calligraphy displaying a selection of dry black and white calligraphy and colorful illuminated pieces dating from the 10th to the 19th century.

Calligraphy Events

The ISL hosted two events following the launch of Beyond words: dancing letters in Islamic calligraphy exhibit.

Calligraphy workshop with Mehdi Sharifi

Mehdi Sharifi is a trained calligrapher who masters a number of calligraphic methods. In January 2008, he was awarded the Best Momtaz Degree from the Iranian Calligraphers Association. In the workshop, he exhibited some of his artistic works, and demonstrated different methods for writing Nastaliq. The workshop was well attended. Participants had the chance to see firsthand various calligraphy tools and papers used in Calligraphy art. Almost everyone left with a souvenir from the calligrapher ( individual name written in calligraphic style).

ISL Calligraphy workshop | Octagon Room

A presentation by Dr. Hela Zahar, entitled Modulations du calligraffiti arabe & tensions arabo-occidentales

Dr. Hela Zahar is the director of the Lavallois Centre for Higher Education in Digital Arts and Creative Economics. Multidisciplinary, Zahar is a practitioner in calligraphy and digital arts, a teacher and researcher in urban and digital culture. Recipient of the INRS “Best Doctoral Thesis” Award (2018) and the “Cust of the Jury” Award – 5th Gala of Excellence, Maghreb Congress in Quebec (CMQ): The Way of Success (2017).

This fascinating and original talk was based on Dr Zahar’s PhD thesis defended in 2018 at the Institut National de la Recherche Scientifique (Université du Québec, Montréal). Her thesis analyzed “the political implications (…) of Arabic calligraffiti, a form of urban art that is inspired both by graffiti and Arabic calligraphy” in both Arab and Western cities. After conducting a digital and physical ethnography of calligraffiti that developed in Montreal, Paris, and some Tunisian cities between 2008 and 2017, Zahar examined the “various conflicts and power relations, such as Arab-Western tensions in the visual culture of Western cities, tensions around the religious role of Islamic calligraphy in Arab cities, tensions around urban art in all cities, and around the various digital spaces where these works are disseminated.”

The Beyond words: dancing letters in Islamic calligraphy exhibition was curated by Anaïs Salamon (Head Librarian, ISL) and Senior Library Assistants, Ghazaleh Ghanavizchian and Samah Kasha.

Celebrating the Islamic Studies Library and Digital Initiatives decade-long Collaboration

Ten years ago, the first items from the Islamic Studies Library (ISL) collection located in Rare Books and Special Collections (RBSC) were digitized. Over the years, the Islamic Studies Library and Digital Initiatives (DI) have developed a strong link, and the history of this decade-long collaboration is worth sharing with our community. This continuous teamwork resulted in launching multiple digital exhibitions, an Internet Archive ISL Collection and various research projects.

Digital Exhibitions and Collections

The first collaboration, Beautiful calligraphy ensures entrance to Paradise, started with a physical display in the Islamic Studies Library from November 1st, 2010 to March 31st 2011. The Calligraphy panels came from McGill University’s Rare Books and Special Collections and the Islamic Studies Library holdings located in RBSC. The physical exhibition included sixteen items representing various styles of Arabic calligraphy: from dry black and white calligraphy of the 10th century to colorful illuminated pieces of the 19th century, all of which recounted a brief history of Arabic/Islamic calligraphy. The Digital Exhibit: http://digital.library.mcgill.ca/islamic_calligraphy/index.php.

The second collaboration, The Shahnameh by Ferdowsi, also started as a physical display in the Islamic Studies Library, from April 1st to October 31st, 2011. Here again, the physical exhibition included sixteen Shahnameh folios coming from McGill University’s Rare Books and Special Collections and the Islamic Studies Library holdings located in RBSC.  Shahnameh by Ferdowsi offered the visitor an opportunity to experience some of the heroes and villains of this remarkable epic poem and to gather a diverse overview of this celebrated text as well as the magnificence of Persian painting. The Digital Exhibit: http://digital.library.mcgill.ca/shahnameh/index.php.

The third collaboration, Arabic Lithographed Books, drew upon selections from Arabic lithographed books. The collection was on display in the Islamic Studies Library between February 1st and September 30th 2014, and later formed the basis for the Islamic Lithographs digital collection. Since then, the digitization of Islamic lithographs at McGill has become a work in progress, and the resulting digital collection a continually updated resource. This Collection includes many examples of lithographed books in Arabic, Persian, Ottoman Turkish, and Urdu, dated from the eighteenth century until the mid-twentieth century showcasing different calligraphic styles, graphic designs, and publishing houses from the Muslim world and Europe. Items from the Islamic Lithographs digital collection were the first to be uploaded to the Islamic Studies Library Internet Archives collection. The Digital Exhibit: http://digital.library.mcgill.ca/islamic_lithographs/.

Exhibits photo credit: Klaus Fiedler

INTERNET ARCHIVE

Since 2014, an increasing number of digitized materials from the ISL’s various collections have become accessible on Internet Archive, a non-profit library of millions of free books, movies, software, music, and more. Digital Initiatives uploads digitized materials twice a year. This unique collaboration began with 395 items and today includes digital copies of well over 1279 Arabic, Persian, Ottoman Turkish and Urdu manuscripts, lithographs and rare books from the ISL collection. The materials can be viewed and browsed using the Internet Archive book reader, or downloaded in PDF format. The RSS feed feature of the Internet Archive website offers the opportunity to stay informed of new additions to our collection. Internet Archives Islamic Studies Collection : https://archive.org/details/mcgilluniversityislamicstudies

On demand digitization

Among the first to use this service were two faculty members from the Institute of Islamic studies; Professors F. Jamil Ragep and Robert Wisnovsky selected around 30 manuscripts from the ISL collection and the Osler Library of the History of Medicine collection to be digitized for a joint research project. (Rational Science in Islamic (RASI) project: https://islamsci.mcgill.ca/RASI/). In general, items for personal or scholarly use can be submitted for approval to be digitized by consulting McGill University’s on demand digitization service. Digitized items become available online in full in accordance with Canadian Copyright Law.

Behind the scenes: Digitization at the Library (Video)

A short video created in December 2019 highlights the meticulous work that takes place at Digitization and Digital Initiatives. The Library’s digitization service captures and provides access to millions of pages and objects from the vast and varied collections of McGill Libraries. This service is now even more important and essential during this unprecedented period of remote instruction and library online services.

Special Thanks

Blog post editors: Anaïs Salamon, Head Librarian, Dr. Charles Fletcher, Head Library Clerk, and Greg Houston, Digital Initiatives

The Afternoon Map

The Afternoon Map is a cartography blog brought to you by Ottoman History Podcast

“We firmly believe that every book needs more maps, and would be delighted if these maps could be useful toward that end”

The Afternoon Map

The blog is dedicated to presenting quality Ottoman/Turkish/Middle Eastern/Balkan maps with a maximum pixel-to-word ratio. A range of original, visually appealing and intellectually engaging maps harvested from archives and libraries around the world.

The afternoon Map will appeal to history buffs, travelers and map enthusiasts. Each map is provided with some background and analysis when available. Historians and other researchers will find these maps useful for their work.

“The Afternoon Map is a member of MENAlab, a constellation of independent internet destinations focused on the history, society, and culture of the Middle East and North Africa”

The Afternoon Map

The blog uses content generated by scholars and researchers from a variety of disciplines. The afternoon Map is open access and free from advertisement.

MAP LIST

Under Afternoon Map’s Comprehensive Map List, one can find the following:

Historical Maps

Blog posts in this section varies in topics (geographical, touristic, ethnic, etc.), in dates (as old as 1874) and in length (from one map to 14 maps)

Istanbul Tourist Maps

Home Made Maps

In this section, things get really interesting! Treasure map, food maps, Folk song map, etc.

Ottoman Food Map

Non Maps

 Topics in this section, not necessary related to maps, but it is worthwhile exploring!

Ottoman Hats

Articles

A list of published articles authored and/or co-authored by Nick Danforth on various media platforms and academic journals. There is a couple of articles that are marked unpublished.

PODCAST

Provide a link to Ottoman History Podcast, a podcast about the Ottoman Empire, the modern Middle East, and the Islamic world.

RANDOM

In this section, blog posts are randomly displayed. This may appeal to those who like the surprise factor.

Anwar El-Sadat Digital Archive

Anwar El-Sadat Digital Archive is a collaborative effort between The International School of Information Science (ISIS) and the Special Projects Department at Bibliotheca Alexandrina.

The project compiles all the material pertaining to the late President Anwar El-Sadat in a digital archive documenting an important epoch in the discourse of Egyptian history.

The Archive provides information on the life of late President Mohamed Anwar El-Sadat to historians, politicians, and researchers who are interested in analyzing and studying one of the most important transitional periods in Egyptian history.

The Archive is divided into three main areas and each area is further subdivided

  • El-Sadat’s Life
  • El-Sadat’s Archive
  • Journalistic Perspective

El-SADAT’S LIFE

In this section, one can explore facts and archival materials related to the early life of El-Sadat, his political life, after 23 July Revolution, his presidency, donated collections and his famous quotes. An internal link is made available to El-Sadat’s Museum that is housed in Bibliotheca Alexandrina.

In addition to the above, El-Sadat’s life includes books and articles that he wrote during the revolution and after he became a president.

El-SADAT’S ARCHIVE

This section is divided into six collections:

The speech collection contains 1116 letters, words and text statements by President Mohamed Anwar El-Sadat.

The photo collection and for the first time, this number of rare El-Sadat related are displayed on the Internet, close to 20,000 photos

The video collection contains more than 317 videos, in which President El-Sadat appears, ranging from talk shows, news reports and documentaries.

The documents collection includes more than 970 Egyptian and American documents, some of which are rare documents in addition to documents in the President’s handwriting.

The audio collection is compilation of audios by President El-Sadat. This collection contains 44 audio tracks.

The press collection contains 7814 press items, ranging from news, reportage and articles that goes back to the period of the late President El-Sadat

JOURNALISTIC PERSPECTIVE

Televised interviews, this section is devoted to all television interviews and letters available of President Mohamed Anwar El-Sadat in an attempt to highlight how he dealt with the Arab and Western media and how he approached and handled its challenges.

The project team has collected most of the book covers that talked about the era of President Anwar El-Sadat as an assistant to the researcher to reach a better understanding of El- Sadat’s story in both its human and political aspects.

Anwar El-Sadat Digital Archive materials were compiled from different sources, such as news agencies, museums, various other institutions, and a collection graciously granted by the late President’s family. The database was published on the Internet with tools and features that facilitate easy navigation through the website. It is important to note that the archive is available only in Arabic.

The digital archive also enables users and researchers to perform comprehensive searches among the different sections and categories of data.

The Palestine Poster Project Archives

The Palestine Poster Project Archives (PPPA) was created by Dan Walsh for a master thesis project at Georgetown University, stating that: “It is a work-in-progress.”

The Palestine poster genre dates back to around 1900 and, incredibly, more Palestine posters are designed, printed and distributed today than ever before. Unlike most of the political art genres of the twentieth century such as those of revolutionary Cuba and the former Soviet Union, which have either died off, been abandoned, or become mere artifacts, the Palestine poster genre continues to evolve. Moreover, the emergence of the Internet has exponentially expanded the genre’s network of creative contributors and amplified the public conversation about contemporary Palestine.

Dan Walsh – Silver Spring, MD April 2009

A unique historical repository of primary data on modern Palestine. Audiences who are interested in this rich, yet under-valued module of Palestinian cultural heritage, can have a better understanding of people who were engaged in the contemporary history of Palestine and recorded it in their graphic art.

According to PPPA a “Palestine poster” is defined in a five-part definition as any poster:

1) With the word “Palestine” in it, in any language, from any source or time period.

2) Created or published by any artist or agency claiming Palestinian nationality or Palestinian participation

3) Published in the geographical territory of historic Palestine, at any point in history, including

4) Published by any source which relates directly to the social, cultural, political, military, economic or iconographic history of Palestine or Palestinian nationalism contemporary Israel

5) Related to Zionism or anti-Zionism in any language, from any source, published after August 31, 1897

Site visitors can browse the poster collection by: Artists (2,640), Posters (13,774), Wellsprings, Special Collections (920), Iconography, Original Copies, Portfolios, Duplicates/Exchanges, Year of Publication, Country of publication, and Nationality/Artists

The Liberation Graphics Collection of Palestine Posters, which was Nominated to UNESCO’s Memory of the World Program 2016-2017, is a subset of the more than 11,500 posters featured at the Palestine Poster Project Archives web site.

The PPPA is an educational site and does not engage in any commercial or merchandising activities. Posters’ duplicates are frequently traded with private individuals as well as other archives and libraries. Furthermore, The PPPA has a strict policy concerning poster’s removal, as it will never remove a poster from its site. There is a dedicated link on the website for poster submission. Last but not least, the FAQ provides a deep insight into the core objectives of the archive, as it comprehensively answers a wide range of questions, it is worthwhile checking.

The Calligrapher الخطاط

The Calligrapher platform is the first online platform to teach Arabic calligraphy and decoration online, by a handful of professional calligraphers who have been carefully selected to share their experiences through training courses. It is one of the winning initiatives for the year of Arabic Calligraphy 2020, as the platform has become open to all with free courses and lessons.

The Calligrapher Platform will provide those interested in learning Arabic calligraphy and Islamic decoration an opportunity to learn the basics of Arabic calligraphy, its arts and methods via training courses, projects and professional workshops.

There are many different calligraphic styles used for writing the Arabic script. The platform will give the trainees the option to choose the calligraphic style, Thuluth, Naskh, Reqa,  Diwani, Kufic and Maghrebi, they wish to learn and the calligrapher they prefer to be the instructor. During the training period, the trainees will be provided with applications and exercises through which they will gain the artistic skills they seek.

Arabic Calligraphy Courses

Arabic Calligraphy Styles

Calligraphy Instructors

 

The platform offers various training courses, including professional courses in

the types of Arabic calligraphy, explanation of the alphabets and how to combine them, writing the words and expressions, improving handwriting, training in making calligraphic paintings and artwork in Arabic   calligraphy, letter formations, gilding, Islamic decoration, drawing and coloring, the art of paper marbling and Ebru (needle art). The platform will also give the trainee the opportunity to develop Arabic computer fonts by learning designs and programming fonts.

 

 

The Calligrapher الخطاط platform aims

  • to be the first electronic platform to teach Arabic calligraphy.
  • to provide specialized and professional training courses.
  • to teach Arabic calligraphy in an easy and more effective way.
  • to follow up and communicate with professional calligraphers.
  • to improve the level of those wishing to learn Arabic calligraphy.
  • to preserve the heritage of Arabic calligraphy and disseminating it internationally.

All what is required is a name, a password and an email account to start your journey with the Calligrapher platform, create an account. There is no specific time for membership to expire and you can follow and watch the sessions with unlimited number. While beginner level courses that provide the basics are completely free, advanced level courses are offered for a fee. It is important to note that the platform is uni lingual, Arabic only.

The platform also welcomes professional calligraphers from around the world to join as instructors, for more details click here.