Kashkul / كشكول

Kashkul is a collective composed of Iraqi, Kurdish and American students, artists, and researchers based at the American University of Iraq, Sulaimani (AUIS). The group aims at collecting, preserving, translating when necessary, and making available to the general public literary, artistic, and archival materials produced in Iraq. A partnership with the University of California, Los Angeles (UCLA) allows Kashkul to publish their collections through the International Digital Ephemera Project (IDEP).

Directed by Dr. Elizabeth Campbell, Professor of Middle East History at Daemen College in Amherst, New York, and Dr. Marie LaBrosse, an independent writer, translator and poet, who both used to work at the American University of Iraq, Sulaimani (AUIS), Kashkul also includes six scholars focusing on the numerous projects. In 2017-2018 and 2018-2019, the collective welcomed two artists-in-residence: Kurdish painter and sculptor Ismail Khayat and Mexican poet David Shook.


Past and current Kashkul projects include:

  • Crux “aims to understand how devotion becomes violent and how violent devotion can become peaceful.” Crux relies on case studies of specific areas and creates “in-depth profiles of Islamic thought leaders who are influential within these communities.”
  • Talabani Tekiye studies the theology and religious practice of the Talabani Tekiye and Mosque of Kirkuk, a bastion of liberal Islam, “and how, over generations, people have maintained their openness.”
  • Mosul Lives is meant to provide “a picture of daily life in Mosul, before the Islamic State, and the American presence of 2003.” This projects is based on extensive interviews.
  • Handmade “documents traditional crafts and practices in Iraq and its Kurdish regions and the stories of those who continue them, preserving the cultural heritage of daily life.”
  • Film, Music and Art Archives aims at collecting and preserving “contemporary culture in Iraq and its Kurdish regions.” The database features a personal library for each artist including scans of their works, translation, subtitles, etc.
  • Arrival‘s goal is the publication of an anthology of Kurdish poetry in translation. Currently, the project focuses on selecting, translating, analyzing and comparing “critical literary contributions from every century of Kurdish poetry.”
  • The Abu Ghraib Collection includes “letters, objects, and books made by a political prisoner in Abu Ghraib under Saddam Hussein” showing “how prisoners maintained hope, connection and the ability to express their ideas.”
  • The Referendum collection focuses on “how people and their political parties campaigned, expressed opinions, and voted.”
  • The Stone Man was a collaboration between artist-in-residence Ismail Khayat and student artists  that resulted in a retrospective of Khayat’s work as well as a sculpture garden (The Stone Garden) located on the AUIS campus.
  • Kashkulistan is a manuscripts, and artifacts collecting, cataloguing and digitization project lead in collaboration with regional archives, collectors and scholars.


If you want to learn more about Kashkul and be informed of their activities, you may follow them on Instagram: @kash_kul

Celebrating the Islamic Studies Library and Digital Initiatives decade-long Collaboration

Ten years ago, the first items from the Islamic Studies Library (ISL) collection located in Rare Books and Special Collections (RBSC) were digitized. Over the years, the Islamic Studies Library and Digital Initiatives (DI) have developed a strong link, and the history of this decade-long collaboration is worth sharing with our community. This continuous teamwork resulted in launching multiple digital exhibitions, an Internet Archive ISL Collection and various research projects.

Digital Exhibitions and Collections

The first collaboration, Beautiful calligraphy ensures entrance to Paradise, started with a physical display in the Islamic Studies Library from November 1st, 2010 to March 31st 2011. The Calligraphy panels came from McGill University’s Rare Books and Special Collections and the Islamic Studies Library holdings located in RBSC. The physical exhibition included sixteen items representing various styles of Arabic calligraphy: from dry black and white calligraphy of the 10th century to colorful illuminated pieces of the 19th century, all of which recounted a brief history of Arabic/Islamic calligraphy. The Digital Exhibit: http://digital.library.mcgill.ca/islamic_calligraphy/index.php.

The second collaboration, The Shahnameh by Ferdowsi, also started as a physical display in the Islamic Studies Library, from April 1st to October 31st, 2011. Here again, the physical exhibition included sixteen Shahnameh folios coming from McGill University’s Rare Books and Special Collections and the Islamic Studies Library holdings located in RBSC.  Shahnameh by Ferdowsi offered the visitor an opportunity to experience some of the heroes and villains of this remarkable epic poem and to gather a diverse overview of this celebrated text as well as the magnificence of Persian painting. The Digital Exhibit: http://digital.library.mcgill.ca/shahnameh/index.php.

The third collaboration, Arabic Lithographed Books, drew upon selections from Arabic lithographed books. The collection was on display in the Islamic Studies Library between February 1st and September 30th 2014, and later formed the basis for the Islamic Lithographs digital collection. Since then, the digitization of Islamic lithographs at McGill has become a work in progress, and the resulting digital collection a continually updated resource. This Collection includes many examples of lithographed books in Arabic, Persian, Ottoman Turkish, and Urdu, dated from the eighteenth century until the mid-twentieth century showcasing different calligraphic styles, graphic designs, and publishing houses from the Muslim world and Europe. Items from the Islamic Lithographs digital collection were the first to be uploaded to the Islamic Studies Library Internet Archives collection. The Digital Exhibit: http://digital.library.mcgill.ca/islamic_lithographs/.

Exhibits photo credit: Klaus Fiedler

INTERNET ARCHIVE

Since 2014, an increasing number of digitized materials from the ISL’s various collections have become accessible on Internet Archive, a non-profit library of millions of free books, movies, software, music, and more. Digital Initiatives uploads digitized materials twice a year. This unique collaboration began with 395 items and today includes digital copies of well over 1279 Arabic, Persian, Ottoman Turkish and Urdu manuscripts, lithographs and rare books from the ISL collection. The materials can be viewed and browsed using the Internet Archive book reader, or downloaded in PDF format. The RSS feed feature of the Internet Archive website offers the opportunity to stay informed of new additions to our collection. Internet Archives Islamic Studies Collection : https://archive.org/details/mcgilluniversityislamicstudies

On demand digitization

Among the first to use this service were two faculty members from the Institute of Islamic studies; Professors F. Jamil Ragep and Robert Wisnovsky selected around 30 manuscripts from the ISL collection and the Osler Library of the History of Medicine collection to be digitized for a joint research project. (Rational Science in Islamic (RASI) project: https://islamsci.mcgill.ca/RASI/). In general, items for personal or scholarly use can be submitted for approval to be digitized by consulting McGill University’s on demand digitization service. Digitized items become available online in full in accordance with Canadian Copyright Law.

Behind the scenes: Digitization at the Library (Video)

A short video created in December 2019 highlights the meticulous work that takes place at Digitization and Digital Initiatives. The Library’s digitization service captures and provides access to millions of pages and objects from the vast and varied collections of McGill Libraries. This service is now even more important and essential during this unprecedented period of remote instruction and library online services.

Special Thanks

Blog post editors: Anaïs Salamon, Head Librarian, Dr. Charles Fletcher, Head Library Clerk, and Greg Houston, Digital Initiatives

SANA platform @ National Library and Archives of Iran

SANA is an online database that provides access to digitized periodicals published in Iran from the Qajar era- that marks the beginning of publishing newspapers, up until now.

This platform has been very recently made available publicly by National library and Archives of Iran, in accordance with free access to information and in order to provide equal access to information and knowledge for all. Also to facilitate access to valuable resources available at the National library for scholars and researches.

This platform includes lists and full text digitized periodicals, newspapers and Iranian journals from the beginning up until now in various topics such as Iran’s historical, social, political and economical situation, Persian literature, Islamic related topics; as well as publication about Tehran, Isfahan and other cities.

ش‍ف‍ق‌ س‍رخ‌.شماره 2748

SANA also includes few periodicals in other languages such as German, English, French and some of them dates back to 1906. Such as :

In this database resources are organized chronologically and then under each era periodicals are listed alphabetically. Also when available, description or information about the history of the publication has been given.

Here is the list of four different time categories of publication accessible through this platform:

( نشریات دوره قاجاریه (۱۱۹۳ – ۱۳۴۴ ق

(نشريات دوره پهلوی اول (۱۳۰۴ – ۱۳۲۰ ش

(نشريات دوره پهلوی دوم (۱۳۲۰ – ۱۳۵۷ ش

( نشریات دوره پس از انقلاب (۱۳۵۷ ش

Free registration is required in order to access the resources available at SANA platform.

To register please go this address: https://sana.nlai.ir/register

For more information about National library and Archives of Iran and its many different databases and platforms please go to this page : http://www.nlai.ir/