Sharia Source

SHARIAsource is a flagship research venture of the Islamic Legal Studies Program at Harvard Law School.

The mission of this programme is organizing information available from all over the world about Islamic law in an accessible and useful manner. SHARIAsource is not a religious organization nor does it advocate any particular group or institution. It concentrates on academic principles and involvement by including diversity of various perspectives, peer-reviewed analysis and free and open exchange of ideas.

SHARIAsource creates a platform of storing Islamic law’s primary sources and it cooperates with various team of editors from all over the globe; moreover it provides the opportunity for people to analyze critically the mentioned sources and it also promotes research in order to shed light on academic as well as public discourse about Islamic law.

Their well-organized and classified portal provides access to cutting-edge content and context regarding Islamic law. Through this portal numerous resources can be browsed by Topics & Themes; Geographic Regions, Empires & Eras; Editors and Contributors and Document Types (ex.: Historical/Contemporary primary sources, Expert Analysis, legal documents, etc.). In addition to providing access to full text documents, the number of available resources associated to each category is presented as well which can be very useful to academics, journalist and policy makers.

Additionally readers who are interested to know about special events and news, their blog provides them with useful information in that regards.

“SHARIAsource was developed with support from the Berkman Klein Center for Internet & Society at Harvard University, and from the Luce and MacArthur Foundations.”

 

Syrian Print Archive

Syrian Prints Archive  is an independent documentary initiative “without any political, partisan or religious affiliations”, that provides archiving and storing services for Syrian print media issued since the outbreak of the March 2011 Revolution, regardless of content or orientations. Between March 2011 and the end of 2014, Syrian media witnessed a significance rise in the number of print publications.

These publications showcase the development of Syrian media and represent the new attempts at pluralism in Syria. Furthermore, the intellectual, social, political, economic and literary content of Syrian print publications is an important part of Syria’s recent memory, which documents a significant stage of the country’s history.

However, approximately 70% of these publications are no longer published due to various factors such as printing, technical or marketing problems, as well as a lack of reliable and stable host platforms. The value of these publications and their preservation were among the initial incentives to preserve and provide access to this huge collection. In November 2014, the website Syrian Prints Archive was officially launched during the first conference of Syrian Journalist Association in Gaziantep, sponsored by NPA.

This archive provides various interesting and helpful browsing and searching features. Aside from being fully text searchable, the site offers other useful search criteria. Searches can be conducted using titles and personal names along with complete references to associated articles and a number of related publications. Moreover this archives presents a variety of informatics info-graphs containing useful statistics on Syrian print publications.

أرشيف المجلات الادبية والثقافية العربية

 أرشيف المجلات الدبية والثقافية العربية This is an open access archive of various Arabic resources, containing digitized journals, books and articles from all over the Arab world.

This archive aims to preserve Arabic literature and cultural heritage as well as serving research and educational purposes. For that reason, a great number of journals (201), books (20,996) and articles (268,065) have been digitized. The collection covers a long period of time, ranging from journals dated in 1876 up to the present from different countries such as, Egypt, Syria, Iraq, Palestine, Lebanon, and Algeria.

أرشيف المجلات الادبية والثقافية العربية is a searchable archive. Journals can be browsed by title and books are listed based on the author’s name.

Some of the important titles available on this database are as follows (some are available at McGill, Islamic Studies Library):

المقتطف from 1876 to 1952;  At Islamic studies library

الهلال from 1892 to 2007;  At Islamic studies library

المشرق from 1989 to 1914;  At Islamic studies library

لغة العرب from 1911 to 1931;  At Islamic studies library

الكرمل from 1981 to 2009;  At Islamic studies library

Memories of the Suez Canal / ذاكرة قناة السويس

Memories of the Suez Canal is an open archive co-curated by Bibliotheca Alexandrina and its International School of Information, the French “Archives Nationales du monde , and the “Association du Souvenir de Ferdinand de Lesseps et du Canal de Suez“.This digital collection makes available archival materials, published books, photographs ,maps, and videos documenting the architectural and technical challenges, as the political implications, and the social and human impact of building the canal between 1869 and 1956.

Documents in French and Arabic can be browsed using the top menu or searched via the search box available on each page. The definition of images is not exceptional but good enough to read.

The website in only in Arabic.

Sanduq el-Dunia

Sanduq el- Dunia [literally “the box of the world”, meaning “the box of life”] ** is an interactive website that acts as a gateway to Cairo where its historical and future developments are debated, discussed and dreamed about, and where the art technology revives different layers of the city’s history and memory. Sanduq el-Dunia offers an exceptional experience of Cairo’s history by digitally navigating its past also this digital platform allows public to build a dynamic connection to their heritage.
Sanduq el-Dunia enables users to preview and explore the existing database of images, as well as the opportunity to contribute to the database by uploading their own images. It contains images reflecting both ancient and modern Cairo.

The idea of creating Sanduq El-Dunia dates back to Egypt’s 25 January revolution in 2011. The images and stories from Tahrir Square formed the inspiration for this project with the idea that “culture is for all” and the objective to “democratize the production of a collective memory, history and knowledge”.

This project is presented on two platforms:

  • The first is the website that acts as an interactive platform with a mini cityscape
  • The second platform –mini Sanduq el-Dunia– presents an interactive preview wall on a 75” touchscreen.

Two main collaborative partners in this project with Sanduq el-Dunia are the Danish Egyptian Dialogue Institute (DEDI) and the Commercial International Bank (CIB). DEDI is located in Cairo and is an intergovernmental body with the goal of promoting political and cultural understanding between Denmark and Egypt and between Europe and the Arab World; The Commercial International Bank (CIB) one of the leading private banks in Egypt.

Sanduq el-Dunia’s mission is to:

  • “Create an interactive, innovative and multidimensional public platform that reflects the cultural and natural diversity of Cairo, its inhabitants, and their living memory
  • Celebrate and highlight the immense and diverse riches in archaeology, architecture, arts, culture and social-political movements, amongst others present in Cairo.
  • Build strong networks among all stakeholders (governmental, cultural institutions, civil society organizations, businesses, educational institutions, artists, Galleries) and democratize the production of and access to collective memory, history, and knowledge.”

The way that Sanduq el Dunia chose to approach the history and culture of the city is influenced by an award-winning project called the “Wall/ Næggen” produced by the Museum of Copenhagen with Gibson Group.

Below one can watch the Sanduq el- Dunia project in Copenhagen:

**Sanduq el-Dunia refers to a well-known form of play (story telling) in the Arab world-which was presented in days past yet continues until today- this form of play works with “schematized, visually abstracted figures, and partly improvised dialogues.” It is linked to an older theatrical performance called shadow play, which is usually being played during occasions, such as private celebrations or religious holidays in cafes. More information in this regard can be found in the following resources:

Shafik, Viola 1998. Arab Cinema History and Cultural I. American University of Cairo, Egypt. link

Haghani, Fakhri, “The “New Woman” on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt.” Dissertation, Georgia State University, 2008. Link

 

Raseef 22 / رصيف 22

Raseef 22 [Sidewalk 22 (as the number of countries in the Arab League)] is a collaborative information platform that emerged in the spirit of the Arab revolutions. Officially launched in Lebanon in August 2013, Raseef 22 offers independent and critical news and views on social, political and cultural movements active in the Arab world. In addition to journalists, writers and artists contributing articles, the platform is maintained and its content curated by an editorial board of fifteen people.

The website is bilingual, English and Arabic, however at the time of our visit, there was much more content available in Arabic than in English. One hopes this will be developped in the future.

Navigating Raseef 22 is very easy, thanks to a single top menu highlighting categories of publications: Life, Politics, Culture, Economy, Blog and Videos. Users can also subscribe to receive a weekly selection of topics, and follow Raseef22 on Facebook, Twitter and Instagram. Last, people eager to contribute can submit theit articles (in .docx format) directly from the Contribute page.

Digital Library of the Middle East

DLME is a response to the current threats in the form of destruction, looting and illegal trade to the cultural heritage of the Middle East.

The digital Library of the Middle East aims to federate different types of cultural heritage material consisting of archives, manuscripts, museum objects, media and archeological and intangible heritage collections. The DLME implements international cultural preservation goals by providing accessibility and urging documentation and digitization; contributing to security and sustainability by encouraging inventory creation, cataloguing, documentation and digitization of collections as well as forming a community of interest that seeks collaboration among people, organization and countries who value this heritage; which in returns can help mitigate looting and the illegal resale of heritage materials.

The digital platform of the DLME brings together digital records of accessible artifacts ranging across twelve millennia. It provides metadata for each objects that describes various aspects of the artifact or document, it might include its contested meaning or significance, its history and its provenance when available. This platform is searchable, also the collection is classified based on different criteria such as Language, type, date, creator, medium and etc.The Digital Library of the Middle East is continuously developing and progressing through scholarly inputs, crowd-sourcing and new knowledge discovered through its use.

New Publication: The Dialectical Forge, by Dr. Walter Edward Young

The Dialectical Forge: Juridical disputation and the evolution of Islamic law, published in 2017, is the first monograph of Dr. Walter Young (although he has a number of other works in preparation, see below), graduate of the Institute of Islamic Studies. This book is a revised version of Dr. Young’s 2012 Ph.D. thesis, supervised by Prof. Robert Wisnovsky and Prof. Wael Hallaq, and is the 9th volume in Springer’s “Logic, argumentation & reasoning” series.

We had the occasion to ask the author a few questions regarding his monograph in a short email interview:

JM: This is a revised version of your Ph.D. thesis? What aspects have changed between the two versions?


WY
: Yes, significantly revised. Among other revisions: 

  1. It is a single volume—the dissertation’s second volume (the translation of the Ikhtilāf al-ʿIrāqiyyīn /al-ʿIrāqiyyayn) has been mostly excised;
  2. The focus throughout is maintained almost solely on juridical dialectic (no treatment of theological or philosophical dialectic, apart from Aristotle);
  3. The case studies have been expanded and all now appear with full prose analyses;
  4. A new section detailing Abū Isḥāq al-Shīrāzī’s theory of qiyās has been appended.

JM: What can you tell us about this book?

WY: The real aim of the book is to bring juridical dialectic into the limelight as a key dynamic in the shaping not only of substantive rulings (fiqh, furūʿ), but of legal theory (uṣūl al-fiqh) and dialectical theory (jadal/munāẓara) itself.

In fact, in my view, and I believe it is supported by mountains of evidence and obvious to most who consider it, the exigencies of dialectical disputation left their marks on all Islamicate intellectual projects whose scholars engaged in it. The study of the theory and practice of Islamicate dialectics should, in my view, provide essential concepts and tools for exploring, analyzing, and comprehending all such Islamic sciences which may in any way be qualified as “argumentative” (i.e., pretty much everything). It should therefore be a thriving discipline, but remains understudied—in fact practically unknown in the larger field of Islamic Studies (despite some excellent contributions in the last four decades). So a key aim of the Dialectical Forge (and pretty much all of my work) is to promote the study of Islamic dialectics, and to try to get scholars excited about it and involved in it. One way to do this, I think, is by showcasing the high level of sophistication attained by dialecticians (practitioners and theoreticians), by publishing and analyzing both the theory literature and example/historical disputations.

In this spirit of inspiring scholars to be excited about and involved in the study of Islamicate dialectics, Dr. Young has created an impressive website: the Society for the Study of Islamicate Dialectical Disputation (SSIDD). This site hosts information and resources on the study of Islamicate dialectical theories, practices and contexts, as well as a discussion forum for scholars to share ideas and sources.

JM: What drew you to this area of research?

WY: Two key factors—via the work of two esteemed advisors, mentors, and friends—drew me to the study of Islamicate dialectical disputation in general, and juristic dialectics in particular:

  1. A brilliant (and for me, career-changing) class on Islamic dialectical theory (especially the ādāb al-baḥth) conducted by Rob Wisnovsky;
  2. The teachings and publications of Wael Hallaq in the areas of legal and dialectical theory.

And I was very privileged to have both Prof. Wisnovsky and Prof. Hallaq as advisors to my dissertation.

We wish to congratulate Dr. Young on his monograph, and thank him kindly for his comments!

Other publications by Dr. Walter Edward Young

Articles:

  • “Mulāzama in Action in the Early Ādāb al-Baḥth;” Oriens 44.3-4 (2016) [special issue: Major Issues and Controversies of Arabic Logic], pp. 332-385.

Forthcoming or in preparation:

  • (critical edition and translation) On the Protocol for Dialectical Inquiry (Ādāb al-Baḥth): A Critical Edition and Parallel Translation of the Sharḥ al-Risāla al-Samarqandiyya by Quṭb al-Dīn al-Kīlānī (fl. ca. 830/1427), Prefaced by a Critical Edition and Parallel Translation of its Grundtext: the Risāla fī Ādāb al-Baḥth by Shams al-Dīn al-Samarqandī (d.722/1322); Brill (Islamicate Intellectual History) [planned submission Winter 2018]
  • (critical edition and study) Scholarly Contexts of the Early Ādāb al-Baḥth: An Intellectual Prosopography Drawn from the Margins of Quṭb al-Dīn al-Kīlānī’s Sharḥ al-Risāla al-Samarqandiyya, with Critical Editions of its Common Glosses; Brill (Islamicate Intellectual History) [planned submission Summer 2018]
  • (monograph) The Jadal Primer: An Introduction to Classical Sunnī Juridical Dialectic [in preparation, pending funding]
  • (article) “Al-Samarqandī’s Third Mas’ala: Juridical Dialectic Governed by the Ādāb al-Baḥth;” Oriens (Spring 2018; special issue: Uṣūl and Falsafa in Post-Classical Islamic Scholarship)
  • (article) “Have You Considered (A-ra’ayta)? Don’t You See/Opine (A-lā Tarā)? A Working Typology of Ra’ā Formulae in Early Islamic Juridical Disputation;” in Y. Papadogiannakis and B. Roggema, eds., Patterns of Argumentation and Exchange of Ideas in Late Antiquity and Early Islam; Routledge (Centre for Hellenic Studies)

The Dialectal Forge is available through McGill Libraries, as well as through Amazon.ca and Springer.

Visualizing Palestine

Launched in 2012, Visualizing Palestine is the first project of Visualizing Impact (VI), an independent, non-profit “laboratory for innovation” (…) aiming at: “breaking new grounds in socially aware data science, technology, and design” and “mainstreaming marginalized perspectives on critical social issues.”

Visualizing Palestine publishes data-driven visual tools, in Arabic and English, providing context and analysis to mainstream coverage of news related to Palestine. The multidisciplinary team (scholars, designers, technologists, and communications specialists) collaborates with both individuals (civil society actors, advisors) and organizations to support their impact in advocating for justice and equality. In addition, their by-weekly infographics are heavily used for teaching in higher education, and exhibitions. Last, Visualizing Palestine regularly facilitates storytelling workshops (in Beirut, Lebanon), and can provide student groups with a VP Toolkit to help raise awareness on campus.

Visualizing Palestine is co-funded by individual benefactors, grants and sponsors, as well as by crowdfunding efforts.

Ganjoor, collection of Persian literary works

Ganjoor is an online open access collection of Persian literature. This collection provides access to a diverse and extensive collection of the literary works of Persian poets. Ganjoor is the result of a collective effort whose purpose is to gather thousands of treasures from classical and modern Persian literature and to provide free access to this valuable collection. All the provided information in this website is in Persian.

In addition to the main collection, Ganjoor offers several other interesting features such as: Library, Statistics, Music Index, Random line of poetry, and more.

Lists of poets and their literary works are available in the Library, and Statistics sections.

The Music Index section lists poems that were used in different musical compositions or songs. In this section, the list of poems is categorized according to the artist or band’s name.

Ganjoor is even accessible on Facebook, where you can listen to famous poems read by native Persian speakers!