The 2016 McGill Institute of Islamic Studies Student Council Graduate Student Symposium will be held on April 28th and 29th in the Post-Graduate Students’ Society’s Thomson House of McGill University, located 3650 McTavish Street, Montreal, QC H3A 1Y2.
The preliminary program and information on keynote speaker can be found on the MISSCC Symposium website.
The Institute of Islamic Studies will be offering a workshop entitled Global and Regional Knowledge in the Study of Islamic Institutions and Arab Societies on April 27, 2016:
For more information, go to the McGill Institute of Islamic Studies website.
February 1 – February 26, 2016
School of Architecture
815 Sherbrooke Street West
Tuesday, February 2, 2016, 5 pm – 6 pm
Christiane Gruber, Associate Professor of Islamic Art and Visual Culture at the University of Michigan, Ann Arbor.
Nama Khalil. Artist and cultural anthropologist, Ph.D. Candidate, University of Michigan, Ann Arbor.
The exhibit is a collaboration between the University of Michigan, Ann Arbor and the Arab American National Museum, Dearborn. Support for the McGill University, School of Architecture installation is provided by the Yan P. Lin Centre’s Research Group on Democracy, Space, and Technology, the Institute of Islamic Studies, McGill Libraries, and Gilgamesh Society.
Hi friends, on Wednesday the 28th day of July 2015 the ISL hosted a workshop led by Persian calligrapher, Susan Sheikh. 20 participants were fortunate to attend this workshop which was divided into 3 sections.
Susan led a short lecture on the history of calligraphy from it’s beginning through to the present. This was followed by a hands-on experience in which the participants were guided through the basic steps of writing nastaʿlīq and shikaste. Finally, a question and answer period in which participants were free to ask any and all questions.
If you’re interested in learning more about calligraphy and, especially seeing some examples McGill has many exquisite calligraphic panels, manuscripts and related materials. Further information is provided on the Islamic Manuscripts subject guide.
Many thanks to everyone for attending and a special thanks to Susan Sheikh.
Photos courtesy of Sean E. Swanick, 2015.
On Wednesday, 29th of July 2015 the Islamic Studies Library will host a workshop with Sussan Sheikh.
“Susan Sheikh was born in the city of Hamedan, Iran in 1961. She started practicing Iranian calligraphy in 1982 under Iranian calligraphy masters Abdollah Foradi and Yadollah Kaboli. In 1988, Ms. Sheikh obtained the rank of “excellent calligrapher” from the Iran’s Association of Calligraphers and started her career as an art instructor. In years, she has trained several calligraphy apprentices who are in turn disseminating this revered form of Iranian art throughout the country. Ms. Sheikh has participated in more than twenty solo and group exhibitions and her artworks have been published in multiple calligraphy collections. She received an honorary excellence art award in 2007.”
The workshop is free and open to the public. If you are interested in joining us, please contact me (sean.swanick [at] mcgill . ca) to reserve a spot for space is limited.
The Islamic Studies Library will hold its last film screening of the academic year on Friday April 10th, 2015 at 5 p.m. in the Tuesday Night Cafe (Morrice Hall, room 017).
The setting is Iraq in the 1950s and the protagonists,concealed in the steel tank of a truck, are trying to make their way across the border into Kuwait, the “promised land.”
The Dupes is considered a masterful adaptation of Ghassan Kanafani’s acclaimed novella, Men Under the Sun, The Dupes is also one of the first Arab films to address the Palestinian predicament.
Professor Malek Abisaab, McGill History Department and Institute of Islamic Studies, will moderate the post screening discussion.
Come on come all!
In anticipation of next week’s public discussion “Issues Around Representations of the Prophet” hosted by the Institute of Islamic Studies, there are some recent writings worth your time to read in advance. Many of these are found online (I’ve included the links) while others are found in the ISL—come for a visit.
Choix discutable, choix discuté Quelques voix apportent une perspective musulmane sur la publication des unes: http://www.delitfrancais.com/2015/01/20/choix-discutable-choix-discute/. Interview with Dr. Ahmed Ibrahim of the IIS.
The History and Philosophy of Representational Art in Islam: http://harvardpress.typepad.com/hup_publicity/2012/10/the-history-and-philosophy-of-representational-art-in-islam.html
The Prophet Muhammad Was Once Glorified In Art: http://hereandnow.wbur.org/2015/01/16/quran-prophet-images
Ways of Looking at the Prophet: http://www.wsj.com/articles/book-review-the-lives-of-muhammad-by-kecia-ali-1420841587
Drawing the prophet: Islam’s hidden history of Muhammad images: http://www.theguardian.com/world/2015/jan/10/drawing-prophet-islam-muhammad-images
The Koran Does Not Forbid Images of the Prophet: http://www.newsweek.com/koran-does-not-forbid-images-prophet-298298
There are of course a number of worthwhile academic books, articles, etc. some of which include the following:
Khalidi, Tarif. 2009. Images of Muhammad: narratives of the prophet in Islam across the centuries. New York: Doubleday.: http://mcgill.worldcat.org/oclc/243960546
Hillenbrand, Robert, and B. W. Robinson. 2000. Persian painting: from the Mongols to the Qajars : studies in honour of Basil W. Robinson. London: I.B. Tauris in association with the Centre of Middle Eastern Studies, University of Cambridge.: http://mcgill.worldcat.org/oclc/46642670
Asani, Ali S., Kamal Abdel-Malek, and Annemarie Schimmel. 1995. Celebrating Muḥammad: images of the prophet in popular Muslim poetry. Columbia, S.C.: University of South Carolina Press.: http://mcgill.worldcat.org/oclc/32201887
The Story of Portraits of the Prophet Muhammad Oleg Grabar Studia Islamica No. 96, Écriture, Calligraphie et Peinture (2003), pp. 19-38+VI-IX http://www.jstor.org/stable/1596240?seq=1#page_scan_tab_contents
Gruber, Christiane. 2009. Between Logos (Kalima) and Light (Nur): Representations of the Prophet Muhammad in Islamic Painting. In Muqarnas: An Annual on the Visual Culture of the Islamic World XXVI. 229-262.: Available as Open Access via Archnet, http://archnet.org/publications/6805.
Gruber, Christiane. 2009. MEʿRĀJ ii. Illustrations. From the turn of the 14th century onward, depictions of the Prophet Moḥammad’s night journey (esrāʾ) and heavenly ascent (meʿrāj) were integrated into illustrated world histories and biographies.http://www.iranicaonline.org/articles/meraj-ii-illustrations
Join us on Thursday January 29th, at 5:30 pm in the Octagon room (Islamic Studies Library, Morrice Hall) as we discuss -for the second time- the novel Mornings in Jenin, the acclaimed novel by Palestinian-American author and activist Susan Abulhawa.
The One Book, Many Communities: Mornings in Jenin reading campaign was initiated by Librarians and Archivists with Palestine, a network of self-defined librarians, archivists, and information workers in solidarity with the Palestinian struggle for self-determination.
To access this event on Facebook: https://www.facebook.com/events/1515299365406523/
Born in Romania, raised in Sudan and Qatar where he is still based, Sudanese artist Khalid Albaih has been leaving his mark on Sudanese, Arab and global politics. His series of online political cartoons, known as Khartoon!, gained international attention during the Arab Spring, where they were turned into stencils and sprayed onto walls in Beirut and Cairo. His name is quickly becoming synonymous with political art in the Middle East and beyond; he has been featured in international media outlets, including the BBC and the New York Times, and exhibited in Doha, Cairo, London, New York, and now here in Montréal.
For a full interview of Khalid Albaih, you can go here.
Khalid Albaih is in Montreal this week (Nov.2-8) for a series of events, at McGill Institute of Islamic Studies and in other places. Come on, come all!