Latin American Heritage Month at the McGill Libraries

Written by Marcela Isuster and Cristina Carnemolla

Did you know?

October is Latin American Heritage Month in Canada. It is also the month when, in Mexico, people begin preparing altares (altars), catrinas, and ofrendas (offerings) to celebrate Día de los Muertos.

This year, you can learn more about this tradition through a hybrid installation at McLennan Library. The project is a collaboration between CLASHSA (Caribbean and Latin American Studies and Hispanic Studies Association), SLASA (Spanish and Latin American Students’ Association), coordinated by Professors Carnemolla and Chamanadjian of the Hispanic Studies program (Languages, Literatures, and Cultures Department), and Marcela Isuster, Liaison Librarian for Hispanic Studies. Supported by the Dean of Arts Development Fund, the altar showcases all the elements you would find in a traditional one in Mexico.

Curious about the meaning of the catrina or marigold flowers? Just scan the QR code at the display or visit https://diademuertos2025.omeka.net/ to access an online companion to the altar.

A book display titled Entre Mundos / Between Worlds: Latinx Diasporas in Canada and Beyond is also coming shortly. This collection weaves together the voices of Latin American diasporas and the lived experiences of Latinx communities in Canada. From stories rooted in migration and memory to reflections that drift across borders, these works of fiction, memoir, poetry, and scholarship, trace paths of belonging, loss, and reinvention. They speak of homes left behind and new ones imagined, of identities shaped in motion and creativity born from displacement.

Origins of Día de Muertos

Día de Muertos o Día de los Muertos is one of Mexico’s most important celebrations, dating back more than 500 years! It represents the union of Pre-Hispanic and Catholic traditions and celebrates the temporary return of deceased loved ones, who cross Mictlán (the underworld in Aztec mythology) to rejoin their families. During this day, they share the food prepared for their return.

In Pre-Hispanic culture, the cult of death was central: bodies were wrapped in a petate (mat) while relatives held a feast to guide them on their journey to Mictlán. In Catholic tradition, November 1 is All Saints’ Day, commemorating children who have passed away, while November 2 is All Souls’ Day, dedicated to adults. During the colonial period, the Mexicas, Mixtecas, Texcocanos, Zapotecas, Tlaxcaltecas, Totonacas, and other Indigenous peoples adapted these rituals to the Catholic calendar, which also marked the end of the corn-growing cycle. And this is how the Día de los muertos was born.

While Día de Muertos is most widely recognized in Mexico, traditions of remembrance and ancestral celebration are also deeply rooted in countries such as Guatemala, Bolivia, Peru, Ecuador, and many others—each with distinct rituals, symbols, and meanings.

Elements of the Altars

Although traditions vary across Mexico, decorating altars is central to all Día de Muertos celebrations. Common elements include marigold petals (cempoalxóchitl), candles, and food such as pan de muerto (bread of the dead). With origins in Pre-Hispanic times, this bread is now made with wheat flour, sugar, eggs, and yeast, and decorated with a figure of crossed bones sprinkled with sugar.

Other altar elements include copal (an aromatic resin whose smoke was considered food for celestial deities) and handcrafted objects. Many of these objects are also on display at the library and were purchased in local markets in Mexico DF. Want to know more? Scan the QR code to access bilingual descriptions online. It’s also a great opportunity to practice Spanish—or to get inspired to join a course in the Hispanic Studies program at McGill.

Latin American and Hispanic Heritage Month at McGill

Interested in exploring the richness and diversity of Hispanic communities and traditions? Come celebrate with us this October and November at McGill!

  • October 3, 6:00-8:00 p.m.: Salsa workshop with Salseros (Shauna Roberts Dance Center).
  • October 24, 5:30-8:30 p.m.: Panel discussion with Hispanic diplomats (Ernst & Young Building).
  • October 29, 3:30–4:30 p.m.: Día de Muertos celebration with pan de muerto and hot chocolate, (680 Sherbrooke, Room 389).
  • November 12, 4:00-6:00 p.m.: Screening of Le Coyote followed by a Q&A with the director (ARTS 150).

The hybrid altar exhibition will be on display until the end of October at McLennan Library. Don’t miss the chance to learn, celebrate, and connect with this inspiring and growing community in Canada.

My FAIR Data: A book display on equity, ethics, and the power of information 

Written by Marcela Isuster and Emily Kingsland

What does it mean for data to be fair? 

Inspired by the FAIR principles (Findable, Accessible, Interoperable, and Reusable) this book display reimagines the acronym to ask deeper questions about justice, representation, and responsibility in the digital age. “My FAIR Data” brings together a diverse collection of works that examine how data shapes our lives, our institutions, and our futures. Its works communicate the stories that data tell.  

From the biases embedded in algorithms to the fight for Indigenous data sovereignty, these books explore the social, ethical, and political dimensions of data. They challenge us to consider who is counted, who is left out, and how data can be used to empower or oppress. 

Highlights include: 

Critical viewpoints on artificial intelligence, surveillance, and algorithmic discrimination, such as Big data and democracy, a collection of essays in four parts, which explores the relationship that exists between citizens and data; political advertising; technical issues; and the implications for trust in society.  

Feminist and queer approaches to data collection and analysis, such as Dr. Safiya Noble’s work Algorithms of oppression: How search engines reinforce racism, which examines how women of colour are negatively biased against in search engine results and algorithms.  

Historical and contemporary insights into data governance, privacy, and stewardship, such as How data happened: A history from the age of reason to the age of algorithms, by Drs. Chris Wiggins and Matthew L. Jones, which delves into the history of data and statistics, from eugenics in Victorian England to facial recognition today.  

Creative storytelling that brings data to life through fiction, memoir, and visual narratives, such as former tech sector startup employee Anna Wiener’s memoir Uncanny valley, which details her time living in San Francisco and her disillusionment with Silicon Valley.  

Indigenous perspectives on research ethics, information governance, and the legacy of colonialism, such as Indigenous statistics: From data deficits to data sovereignty, which brings together research projects from Indigenous Peoples in the United States, Australia, Aotearoa New Zealand, and Canada.   

Whether you’re a data scientist, a student, or simply curious, this display invites you to reflect on the values we embed in our data practices and the kind of future we want to build. 

Come explore “My FAIR Data” and discover how information can be a tool for equity, accountability, and change. 

Pen Names – Redpath Exhibition August 2025

A PSEUDONYM or PEN NAME or NOM DE PLUME is a fictitious name used by an author. 

Why use a pen name?  To preserve anonymity, counter bias, try a new genre, get a fresh start or any other number of reasons! 

All the items in this display are by or about an author who published under a pseudonym. 

Great works by authors like Lewis Carroll, Maya Angelou, and Voltaire can be found in this display, but their true names have to be sought out. Join us in the hunt to uncover these enigmatic authors by filling out our quiz.

To view an interactive version of this display online, check out our Redpath Book Display page.