Digital Ottoman Studies (DOS) is a hub contributing to growing field of Digital Humanities by presenting projects, publications, tools, and events through the lens of Ottoman and Turkish studies.
This website seeks to create a digital network for future projects by bringing together diverse platforms, institutions, studies, and individuals. Thus, DOS provides access to projects and data bases that are created by other organization which includes Ottoman Archives, maps, manuscripts and etc.
Information on DOS is classified into 6 categories of Projects, publications, Tools, Databases, Platforms and under each category, there are sub-categories that direct the users to the respective projects which are encompassing “600-year-old Ottoman Empire’s archival heritage, diverse ethnics and geographical regions., etc.”
The Project category brings together variety of works in GIS, Network Analysis, Text Analysis, Databases, and 3D-AR-VR, each provides access to a wide range of research and academic projects form historical urban and industrial comparative analysis to Mapping Ottoman empire and region, or a digital history research project on Travels in the 19th century Ottoman empire.
Also, users can browse different database projects like Ottoman Inscriptions, Digital History, The Open Islamicate Text Initiative, etc. When possible, the DOS has provided the name of the project managers and then directs the user to the project’s main website.
Moreover, in the Publication tab users can have access a list of published articles, books and dissertations that are classified based on the topic/subject and some are accessible as an open access publication.
The tab of Databases has organized a list of various type of databases such as Archives, Map collections, manuscripts collections, dictionaries, E-resources, Photo collections, calendar convertors and Gazetteers.
Started in 2019, Wikilala is a digital library making available and full-text searchable documents printed between 1729, when Ibrahim Müteferriqa founded the first Turkish printing Press and the letter revolution in 1928. The project was launched by Hiperlink‘s (first Turkish digital library) project manager, Sadi Özgür, and an academic member at the History Department of Istanbul Aydın University that acted as a consultant, Harun Tuncer.
Wikilala aims “to enable researchers and enthusiasts studying in almost all branches of science, such as culture, art, history, literature, architecture etc. to rediscover even the smallest details in order to illuminate a landscape that has been dimly lighted for two centuries. (…) Wikilala allows (…) to access this huge storage of knowledge.”
According to the description on the “About” page, Wikilala includes thousands of books, magazines, journals, newspapers,etc. that have been digitized in high-resolution, catalogued, and OCR’ed (i.e. Optical Recognition Character) to allow for full-text searchability. The project also include the “latinization” of texts to allow people who don’t have command of Ottoman Turkish to search the texts in Latin script.
To access Wikilala materials, visitors need to create an account (which is free with an institutional email). Once logged-in, the entire library becomes available.
From the main page (captured above), users can search the library in Latin or Arabic scripts (thanks to a handy multilingual and multialphabets virtual keyboard), or pre-select the type of documents they want to search/read: Newspapers, Journals, Books, Manuscripts and Documents.
From the results page, users will be able to sort the list in the order they want (alphabetical, chronological, etc.) and/or refine the list using the filters available in the right-hand-side column.
There are two methods to open documents: clicking on the Read Now button at the bottom right of the item’s page, or scrolling down to the thumbnails view: both options will open Wikilala’s viewer. The viewer is limited to online reading and full-text search: unfortunately, it does not offer download, saving or printing options. Perhaps will this be a future development?
Wikilala is a platform developed by a private company named hiperkitap, that works on numerous other products individuals and institutions can subscribe to or purchase. McGill can trial it for free until the end of 2021: take advantage of it!
The interface is available in both Turkish and English.
The David Collection is a museum of fine and applied art in Copenhagen, Denmark, built around the private collections of lawyer, businessman and art collector C. L. David.
The museum is particularly noted for its collection of Islamic art one of the largest in Northern Europe. The collection of Islamic art contains works from almost the entire Islamic realm, from Spain in the West to India in the East and dating from the 7th to the 19th centuries.
Islamic Art Collection
The Islamic works of art are presented from three different perspectives: Islamic art organized chronologically and geographically, Islamic art grouped according to material, and Islamic art presented in its cultural context.
Dynasties and Geography
The works of art here are divided into 20 sections according to specific epochs and dynasties and according to different geographic regions. Each of the 20 sections provides a historical introduction, a map, a selection of works of art, coins, and architecture.
The objects are categorized into eight different groups. This makes it possible to see how both stylistic features and techniques were developed within a specific medium both over time and across geographical borders.
Calligraphy / Miniature Painting / Ceramics / Glass / Stone and Stucco / Ivory, Wood, and Papier-mâché / Metalwork, / Weapons, and Jewelry / Textiles, Carpets, and Leather
Focusing specifically on the cultural background for art in the Islamic world, this section illustrates fourteen themes of special relevance. Each theme is illustrated with a selected group of objects, accompanied by an explanatory text.
Islam, the Religion \The Five Pillars of Islam \ The Prophet Muhammad \ Mecca and the Kaaba \ Sunni and Shia \ The Mosque \ The Religious Prohibition Against Images \ Symbolism in Islamic Art \ Islam in China \ Sufis \ Dervishes, and Holy Men \ Trade, Measures, and Weights \Mechanics, Astronomy, and Astrology \ Medical Science \The Art of War
Fighting, Hunting, Impressing Arms and Armour from the Islamic World 1500 – 1850, is the current exhibition. The exhibit will be on display from From April 21, 2021 to January 2, 2022.
During the month of October (September 27th to October 27th), the Islamic Studies Library will be trialing several primary source (mainly newspapers and periodicals) databases that are of interest to anyone whose research focuses on Afghanistan, the Arab World in general and Egypt in particular, or Turkey. Please check below for content and access details.
“The ‘Afghan Central Press’ collection brings together four national, Kabul-based publications of Afghanistan whose long runs and prominence provide a concentrated vantage point for understanding developments in Afghanistan for much of the twentieth century. The English-language Kabul Times is presented alongside Pushto publications Anis, Hewad, and Islah.Together, the archives of these newspapers provide a chronicle of events from the fall of the Kingdom of Afghanistan, the establishment of the People’s Democratic Republic of Afghanistan, the Soviet invasion, the rise of the Mujahedeen, the establishment of the Taliban and Al Qaeda, invasion by the United States and the ensuing period of reconstruction from the view of the capital.“
“Founded in 1875, Al-Ahram (الأهرام, “The Pyramids”) is one of the longest-running newspapers in the Middle East. It has long been regarded as Egypt’s most authoritative and influential newspaper, and one of the most important newspapers in the Arab world, with a circulation of over 1 million. Prior to 1960, the newspaper was an independent publication and was renowned for its objectivity and independence. After being nationalized by President Nasser in 1960, Al-Ahram became the de facto voice of the Egyptian government and today the newspaper is managed by the Supreme Council of Press. Al-Ahram has featured writings by some of the most important political and literary voices of the day, including Nobel Literature Prize winner Naguib Mahfouz, nationalist leaders Mustafa Kamil and Saad Zaghlul, as well as Salama Moussa, Taha Hussein, Yusuf Idris, Edward Said, Hamid Dabashi, and Anis Mansour.“
The interface of ‘Al-Ahram’ is available in both English and Arabic.
“Established in May 1924, ‘Cumhuriyet’ (“The Republic”) is the oldest secular Turkish daily newspaper and is widely considered one of the last remaining opposition newspapers in Turkey. Founded by journalist Yunus Nadi Abalıoğlu at the initiative of Mustafa Kemal Atatürk, Cumhuriyet was the first newspaper of the Turkish Republic and promoted a belief in democracy, secularism and the rule of law. According to the newspaper’s editorial principles: Cumhuriyet is an independent newspaper; it is the defender of nothing but the Republic, of democracy in the scientific and broad sense. It will fight every force that tries to overthrow the Republic and the notion and principles of democracy. It will endeavor for the embracing by society of the principle of secularism along the path of “Enlightenment” ushered in by Atatürk’s revolution and principles. Over the last 95 years, Cumhuriyet has stood witness to the changing landscape of Turkey’s political, social and economic environment. Despite the challenges of these times, the institution of Cumhuriyet has sustained its coverage of domestic and international news, providing critical documentation of Turkey’s dynamic history and its relations with the global community. In the twenty-first century, Cumhuriyet continues its dedication to the principles of democracy and secularism as embodied by Atatürk. The newspaper has a daily circulation of over 30,000 and receives roughly 25 million visitors to its website each month. It is one of the most influential newspapers in Turkey and is regarded by domestic and foreign readers as a reliable source for impartial, intelligent news reporting.“
The interface of ‘Cumhuriyet Digital Archive’ is available in both English and Turkish.
‘Kotobarabia: Arab Leaders, Historians and Philosophers’ is “a compendium of early works of an astounding variety of disciplines from important Arab writers, spanning fields from feminism and social theory, to classics of literature, history, and the sciences. Includes works by the Four Imams of the Sunni Sect, the Al Azhar Modern Sheikhs, various authors of the Modern Arab Enlightenment, and rare works by the former Egyptian royal family. Consisting mostly of historic texts, the books in this collection are full-image, with searchable metadata only.“
The online reading interface is very similar for preriodicals and monographs. It allows to navigate easily within documents from the -left or right-hand side depending on the language of the interface- side menu. In addition, users will be able to read in full screen mode, select and copy a section to paste elsewehre, print, download as a PDF, email and cite. It is also possible to search for occurrences within publications: a virtual keyboard is available for those who don’t have non-roman scripts keyboards.
The trials started on Monday, September 27th, and will run until Wednesday, October 27th. These databases can be accessed either using the links provided in this blog post, or going to the A-Z database list (as shown below):
Please note access is based on IP addresses, and therefore limited to members of the McGill community. Also, note that activating the VPN may be required when/if you are off-campus. Check these databases out and let us know what you think!
bina is the digital collection of the Bibliothèque Universitaire des Langues et Civilisations (BULAC), an academic library established in 2001 to centralize the “Oriental” collections of nine parisian academic and research libraries. The wide-range of geographical areas covered by BULAC go from the Balkans, to Oceania passing by the Middle East, Central Asia, Africa, and Asia. BULAC’s mission revolves around three axis: gathering these “Oriental” collections in a single location, promoting and supporting open access, and facilitating worldwide scholars’ access to the materials.
The Middle Eastern, North African and Central Asian collections of BULAC include 235,000 monographs and over 800 periodicals. In addition, the library owns approximately 4,000 “Oriental” manucripts and rare books dating from the 16th to the 19th century. The online cataloguing of these rare collections started in 2013 and the digitization in 2016. At the time of our visit (June 2021), 248 Ottoman Turkish, 150 Persian and 61 Arabic manuscripts and archival documents had been scanned and were available in bina.
The XML-EAD standard initally used to describe these rare materials was not fit to reflect the linguistic and paleographical variety of the collection and the multiple transliteration systems used to transcribe non-roman scripts. Therefore, BULAC worked in collaboration with the Agence bibliographique de l’enseignement supérieur (ABES) to develop bibliographic descriptions and authority records matching the codicological and onomastical specificities of these collections. Those interested in learning more about this cataloguing project can read the following articles (in French):
« Le signalement en ligne des manuscrits arabes, persans et turcs de la BULAC », 18 juillet 2016 : https://bulac.hypotheses.org/4890
Navigating bina digital collections can be done in three different ways. The simple search available from the top-right corner of the page will search simultaneaously the title, author, date, description, format and subject fields. The advanced search available either by clicking on the “Rechercher” tab or opening the drop-down menu in the simple search will allow to target specific fields and cross-search them. The Index search allows to browse materials by author, language, type of document and call number.
The metadata is divided in four categories: Notice (bibliographic data), Matérialité (physical description), Contenu (content) and Conservation (location).
The online viewer allows to browse volumes, jump to a specific page, display a single page, double pages or a gallery. It is also possible to save pages either as image of PDF (one page at a time), share (with a permalink) or embed the image elsewhere. Unless otherwise stated, all materials are out of copyright and free of use. For more technical and legal information, you may visit this page.
Khamseen: Islamic Art History Online is a brand new open-access platform making available Islamic art, architecture, and visual culture resources primarily to support the interactive learning and teaching of Islamic art history, and in particular educators “who face limited access to institutional and archival resources”, but also to “educate and inspire interested audiences outside of academia”.
At the time of our visit, Khamseen included a series of ten to fifteen minutes-long video presentations focusing on a variety of topics: Persian miniatures, Mosques architecture, textile in traditional Tentmaking, etc. To date, no less than twenty-five international Islamic art history specialists contributed to the the platform.
Further developments of Khamseen will focus on: “(…) expand[ing] the range of subjects and materials to provide a rich repository of resources in the realm of digital Islamic humanities, [and] (…) expand[ing] the project’s accessibility and foster a global audience through closed captioning and providing content in multiple languages [seeking] to take the study of Islamic art out to the world, reaching a truly international level of engagement and learning thanks to the possibilities of integrated digital technologies.”
Based at the Institute for the Study of Muslim Civilisations at the Agha Khan University, in London U.K., KITAB is a project including both a searching tool for the textual exploration of the medieval Arabic written heritage, and an online discussion forum on Arabic texts. Since its creation in 2017, KITAB received funding from the Aga Khan University, the British Academy and the European Research Council.
Under the guidance of the principal investigator, Sarah Bowen Savant -cultural historian of the Middle East and Iran between 600-1500 A.D. and professor at AKU-ISMC- and the Advisory Board composed of eight international leading scholars in the fields of Islamic, Persian and Arabic studies, KITAB team of twenty-one scholars and computing specialists and five partners work relentlessly to develop new capabilities (i.e visualization tools, Optical Recognition Character, etc.)
The searching tool developed by KITAB team is able to detect proper names occurrences within a large corpus uncovering the complex relationships between medieval Arab authors and how ideas and knowledge circulated throughout the Arab World across time. The most recent developments have focused on the gathering of statistics on the reuse of ideas across the tradition including “the extent and precision of reuse.”
The KITAB corpus of Arabic texts produced between the eighth century and the fifteenth century A.D. largely comes from the Open Islamicate Texts Initiative, another collaborative project of Sarah Bowen Savant, Maxim Romanov and Matthew Thomas Miller. KITAB corpus is continually growing in order “to increase both the number and the diversity of texts.”
Anyone can use KITAB corpus and searching tool. The Our Pilot page provides a brief overview of the data and tools created by KITAB. One of the goals of the project is to “bring all of [their] data and sources into the public domain and with the field to take best advantage of what digital technology now allows […] to see and to discover.”
Kashkul is a collective composed of Iraqi, Kurdish and American students, artists, and researchers based at the American University of Iraq, Sulaimani (AUIS). The group aims at collecting, preserving, translating when necessary, and making available to the general public literary, artistic, and archival materials produced in Iraq. A partnership with the University of California, Los Angeles (UCLA) allows Kashkul to publish their collections through the International Digital Ephemera Project (IDEP).
Directed by Dr. Elizabeth Campbell, Professor of Middle East History at Daemen College in Amherst, New York, and Dr. Marie LaBrosse, an independent writer, translator and poet, who both used to work at the American University of Iraq, Sulaimani (AUIS), Kashkul also includes six scholars focusing on the numerous projects. In 2017-2018 and 2018-2019, the collective welcomed two artists-in-residence: Kurdish painter and sculptor Ismail Khayat and Mexican poet David Shook.
Crux “aims to understand how devotion becomes violent and how violent devotion can become peaceful.” Crux relies on case studies of specific areas and creates “in-depth profiles of Islamic thought leaders who are influential within these communities.”
Talabani Tekiye studies the theology and religious practice of the Talabani Tekiye and Mosque of Kirkuk, a bastion of liberal Islam, “and how, over generations, people have maintained their openness.”
Mosul Lives is meant to provide “a picture of daily life in Mosul, before the Islamic State, and the American presence of 2003.” This projects is based on extensive interviews.
Handmade “documents traditional crafts and practices in Iraq and its Kurdish regions and the stories of those who continue them, preserving the cultural heritage of daily life.”
Film, Music and Art Archives aims at collecting and preserving “contemporary culture in Iraq and its Kurdish regions.” The database features a personal library for each artist including scans of their works, translation, subtitles, etc.
Arrival‘s goal is the publication of an anthology of Kurdish poetry in translation. Currently, the project focuses on selecting, translating, analyzing and comparing “critical literary contributions from every century of Kurdish poetry.”
The Abu Ghraib Collection includes “letters, objects, and books made by a political prisoner in Abu Ghraib under Saddam Hussein” showing “how prisoners maintained hope, connection and the ability to express their ideas.”
The Referendum collection focuses on “how people and their political parties campaigned, expressed opinions, and voted.”
The Stone Man was a collaboration between artist-in-residence Ismail Khayat and student artists that resulted in a retrospective of Khayat’s work as well as a sculpture garden (The Stone Garden) located on the AUIS campus.
Kashkulistan is a manuscripts, and artifacts collecting, cataloguing and digitization project lead in collaboration with regional archives, collectors and scholars.
If you want to learn more about Kashkul and be informed of their activities, you may follow them on Instagram: @kash_kul
SANA is an online database that provides access to digitized periodicals published in Iran from the Qajar era- that marks the beginning of publishing newspapers, up until now.
This platform has been very recently made available publicly by National library and Archives of Iran, in accordance with free access to information and in order to provide equal access to information and knowledge for all. Also to facilitate access to valuable resources available at the National library for scholars and researches.
This platform includes lists and full text digitized periodicals, newspapers and Iranian journals from the beginning up until now in various topics such as Iran’s historical, social, political and economical situation, Persian literature, Islamic related topics; as well as publication about Tehran, Isfahan and other cities.
شفق سرخ.شماره 2748
SANA also includes few periodicals in other languages such as German, English, French and some of them dates back to 1906. Such as :
In this database resources are organized chronologically and then under each era periodicals are listed alphabetically. Also when available, description or information about the history of the publication has been given.
Here is the list of four different time categories of publication accessible through this platform:
For more information about National library and Archives of Iran and its many different databases and platforms please go to this page : http://www.nlai.ir/
The Middle East Institute (MEI) located in Washington, D.C. was founded in 1946 as a non-profit organization by George Camp Keiser a Middle East scholar. Aiming to promote and transmit knowledge of Middle East, MEI has been active in leading research as well as cultural, academic and educational activities, which all together led to the formation of various centres of Policy, Education and Art and Culture. In addition to its effort in producing and expanding knowledge about Middle East, MEI became an intellectual hub and gave platform to regional experts whose works provide a balance outlook and understanding of the region. Besides organizing conferences and educational programs such as training languages spoken in Middle East like Arabic, Turkish, Persian, Hebrew; it also provides access to many useful online resources and publications about Middle East, some of which will be mentioned briefly below.
Middle East Journal:
MEI publishes The Middle East Journal since 1947, this journal as one of the oldest peer-reviewed publication in studying Middle East provides original researches and source materials covering wide area from Morocco to Pakistan and Central Asia.
“The Journal provides the background necessary for an understanding and appreciation of the region’s political and economic development, cultural heritage, ethnic and religious diversity.”
MEI via its Oman Library digital collection provides access to hundreds of digitized rare books and manuscripts about/of Middle Eastern studies for researchers and scholars from around the world. This online collection holds materials covering wide range of topics from history, culture and literature available in various languages like English, French, Arabic, Persian, Urdu, Farsi, Ottoman Turkish and Turkish. This collection includes rare material from 1700 to 1920 as well as its own publications published by MEI from 1960 to 2004.
Arts & Culture Center:
Middle East Institute, besides organizing cultural events and exhibition through its Art and Culture Center, uses this platform to provide access to a hundreds of different types of online material from media release to podcast, journal article and news. This platform aims to create an environment that facilitates conversation, cross cultural understanding as well as to promote Middle Eastern artist works.
