A glimpse at French education during the July Monarchy: Le cahier d’histoire naturelle of Eugène Ducrot, 1835-37

By Mary Yearl, Head Librarian, Osler Library of the History of Medicine

After spending the first few months of its new Montréal life in careful hands in the Redpath Library Building for cataloguing and, later, digitization, Eugène Ducrot’s manuscript notebook on natural history has finally arrived at its permanent home: the Osler Library of the History of Medicine.

Note the fine use of colour in Ducrot’s skeleton. Page 44 in Cahier d’histoire naturelle (1835-1837) : à Moulins

Note the fine use of colour in Ducrot’s skeleton. Page 44 in Cahier d’histoire naturelle (1835-1837) : à Moulins

The title page provides a satisfying amount of information to the reader, though it offers barely a glimpse of the beauty that lies within. In the upper left-hand corner in petite pencil script, it is noted that the manuscript was written by J.E. Ducrot, after the lectures of Mr. Denou in Moulins. In bolder ink script, a 19th-century hand announces “Cahier d’histoire naturelle (1835-1837) à Moulins, à Eugène Ducrot.” Finally, nearer to the bottom, one learns that the manuscript was given to a Mr. Chavignaud, Moulins, 1848.

If the first manuscript page betrays a certain attention to detail, this is continued in the table of contents. The subjects covered include physiology (lessons 1-10), descriptive zoology (“méthode de M.G. Cuvier” – lessons 11-47), botany (lessons 48-53), and geology (lessons 54-56). To provide some sense of the deliberation given to each of the 56 lessons described, consider the 9th lesson, “Sens de la vue – Lumière – appareil de la vision – sourcils – soupière – appareil lacrymal – muscles de l’oeil – situation de l’oeil – usage des différentes parties de l’oeil – Voie.” This level of detail, and sometimes more, is present for nearly every entry in the contents and suggests that this manuscript would serve as a worthy source for those interested in studying natural history education in France during the July Monarchy specifically, or in the 19th century generally.

Depiction of Caucasian features

Depiction of Caucasian features

The majority of the manuscript is devoted to zoology and might be considered fairly timeless, at least with respect to the specific topics of natural history studied. However, some portions reveal the thinking of a past era. For instance, there is a relatively short section on the human races, which Ducrot records as Caucasian, Mongolian, and Ethiopian. When Denou was lecturing, ethnographic and anthropological studies had not yet been confirmed as academic disciplines, though the 1839 foundation of the Société Ethnologique de Paris came shortly after the end date of Ducrot’s notes.

For botany, detail stops at the leaves

For botany, detail stops at the leaves

Without question, what called attention to the manuscript to begin with were the images. Interestingly, Ducrot’s section on botany is remarkably devoid of illustrations; only on one page in the (admittedly fairly limited) section are there drawings, and they demonstrate the shapes of leaves but do not contain written identification. Whether this represents a lack of interest or not would be difficult to say without further examination; there are, however, more illustrations in the similarly brief section on geology than there are on botany.

The nervous system

The nervous system

The true focus of the drawings, like that of the manuscript, is on zoology. In that realm, Ducrot’s detail is impressive. He lists the bones, used watercolour to display the heart and lungs (including an attempt to recreate some detail of the inside of the heart), provides an ink drawing of the nervous system, and describes the structure of teeth in a series of small figures.

Eugène Ducrot’s Cahier d’histoire naturelle is a new acquisition that has relevance to visitors whose interests lie in diverse interests. The drawings themselves are admirable; the course of study followed by Ducrot might well be useful to those studying pedagogy in France in the mid-nineteenth century; and historians of medicine and science will appreciate the detail afforded by Ducrot to his subject matter. Regardless of the  audience, the manuscript is visually impressive and we are pleased that it has found a home at the Osler Library.

Using watercolour to reveal the heart and lungs. Page 9 in Cahier d’histoire naturelle (1835-1837) : à Moulins

Using watercolour to reveal the heart and lungs. Page 9 in Cahier d’histoire naturelle (1835-1837) : à Moulins

Read the full volume in the Internet Archive at https://archive.org/details/McGillLibrary-osl_cahier-dhistoire-naturelle_QH51D831837-18271 part of our over 250 titles from the Osler Library that have been digitized and made available to everyone.

A la découverte du Brésil avec l’Historia naturalis Brasiliae

Au 17e siècle, le Brésil est une terre portugaise depuis sa découverte en 1500 par le navigateur Pedro Álvares Cabral. Toutefois, une enclave hollandaise existe entre 1624 et 1654 au nord-est du Brésil. C’est dans ce contexte que deux hollandais, le médecin Willem Piso et l’astronome Georg Marggrav, accompagnent en 1638 le prince de Nassau dans son voyage au Brésil. C’est l’occasion pour les deux savants d’explorer le territoire et d’en répertorier la faune et la flore.

Titre-frontispice

Leurs découvertes sont rassemblées en 1648 par le géographe Johannes De Laet dans un livre intitulé Historia naturalis Brasiliae. Cet ouvrage est considéré comme le premier traité scientifique sur le Brésil. La bibliothèque Osler possède un exemplaire de l’édition originale (Osler room – folio P678h 1648), imprimée à Leyde, par la célèbre maison Elzevier. Le titre-frontispice est particulièrement travaillé : il s’agit d’une gravure colorée à la main, qui semble évoquer le Brésil comme un nouveau Paradis. On y voit deux indigènes, dans une végétation luxuriante, entourés de nombreux animaux (perroquets, singes, fourmiliers, serpents, poissons, crabes, tortues, paresseux…).

Le livre se compose de deux parties : le De medicina Brasiliensi écrit par Willem Piso, et l’Historia rerum naturalium Brasiliae de Georg Marggrav. L’ensemble, organisé et complété par Johannes De Laet,  est richement illustré par plus de quatre cents gravures sur bois.

Un moulin à sucre

Dans son De medicina Brasiliensi, Willem Piso recense les maladies et les venins qui existent au Brésil, ainsi que leurs remèdes locaux. Il y décrit également les vertus thérapeutiques des plantes (De facultatibus simplicium). On trouve d’ailleurs une explication très intéressante de la fabrication du sucre de canne (De saccharo).

Homme en habit traditionnel

La seconde partie, l’Historia rerum naturalium Brasiliae, rédigée par Georg Marggrav, recense les plantes, les poissons, les animaux et les insectes du Brésil. Une rapide description du pays et de ses habitants est également incluse : Marggrav y évoque les coutumes des indigènes du Brésil (vêtements, religion, nourriture… et même la langue avec un bref lexique incorporé dans le texte).

Une espèce de fruit de la passion

Un fourmilier

L’Historia naturalis Brasiliae a fait connaître en Europe de nouvelles plantes médicinales (comme l’ipecacuanha, utilisée notamment pour traiter la dysenterie). Il est devenu un ouvrage de référence pour les naturalistes européens tout au long des 17e et 18e siècles: son influence est notamment perceptible dans les travaux de Buffon et de Linné. C’est un riche témoignage des tentatives de description et de compréhension de la nature au 17e siècle.

 

Bibliographie:

Brienen R. P., Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil, Amsterdam, Amsterdam University Press, 2006.

Charlot C, Guibert M.-S., “Petite histoire de la Racine Brésilienne en France au 17ème siècle”, 38e Congrès international d’histoire de la Pharmacie, Séville, 19-22 septembre 2007, disponible en ligne.

Galloway J. H., “Tradition and innovation in the American sugar Industry, c. 1500- 1800: an explanation”, Annals of the Association of American geographers, 75, 3, 1985.

Medeiros M. F. T., Albuquerque U. P., “Abstract food flora in 17th century northeast region of Brazil in Historia Naturalis Brasiliae”, Journal of Ethnobiology and Ethnomedicine, 10, 50, 2014.

Safier N., “Beyond Brazilian nature: the editorial itineraries of Marcgraf and Piso’s Historia Naturalis Brasiliae”, dans Van Groesen M. (ed.), The Legacy of Dutch Brazil, Cambridge, Cambridge University Press, 2014.

Walker T. D., “The medicines trade in the Portuguese Atlantic world: acquisition and dissemination of healing knowledge from Brazil (c. 1580–1800)”, Social history of medicine, 26, 3, 2013.

Whitehead P. J. P., Boeseman M., A portrait of Dutch 17th century Brazil : animals, plants, and people by the artists of Johan Maurits of Nassau, Amsterdam – Oxford – New-York, North-Holland Publishing Company, 1989.

 

 

History of biology in the Osler Library

The history of natural history and biology is heavily represented in the collection of the Osler Library, not just because of their important place in the history of medicine, but also in the life story of the library’s founder.

Coloured sketches by W. A. Johnson. William Arthur Johnson Fonds, P139, Osler Library

Coloured sketches by W. A. Johnson.
William Arthur Johnson Fonds, P139, Osler Library

William Osler (1849-1919) grew up in Bond Head, Ontario, surrounded by books. His father’s theological library had around 1,500 items. The young Osler had his first glimpse of a scientific library when he left home to attend Trinity College School (located today in Port Hope, Ontario). The Warden of the school, Reverend W.A. Johnson (1816-1889), according to Osler, “a good friend, botanist, a practical palaeontologist, an ardent microscopist,” inspired Osler with a passion for natural history.

While studying Anglican divinity at Trinity College, Toronto, Osler spent two years living with James Bovell, the Chair of Natural Theology at Trinity College and a member of the Toronto School of Medicine faculty, assisting him in his work. He would often go out to collect various samples of algae and other specimens to fix onto slides for Bovell. His first publication, “Christmas and the Microscope” (1869) demonstrated his love for and proficiency at microscopy. Osler transferred from Trinity College to the Toronto School of Medicine, and then ultimately to the Medical Faculty at McGill University to pursue the greater clinical opportunities available to medical students in Montreal.

Coloured sketches by W. A. Johnson. William Arthur Johnson Fonds, P139, Osler Library

Coloured sketches by W. A. Johnson.
William Arthur Johnson Fonds, P139, Osler Library

Osler’s affinity for natural history flourished during his stay at McGill. Through another mentor, Dr. Palmer Howard, Dean of the McGill Faculty of Medicine, Sir William was introduced to some of the foundational works in the field of life sciences, including those of Laennec, Stokes, and Graves. Osler’s thesis was based on the preparation of gross and microscopic slides from twenty autopsies. After graduation, he considered the India Medical Service, but opted to remain in Montreal, so as to pursue his work in microscopy. He was offered the Chair of Botany at McGill because of this expertise, but turned the position down in favour of a lectureship in Physiology. He became Chair of Clinical Medicine at the University of Pennsylvania in 1884, where he was a member of the Biology Club. His bibliophilia was inspired by places such as the College of Physicians in Philadelphia. Osler moved to the Johns Hopkins University in 1889, where in 1893 he played an instrumental role in the creation of the Johns Hopkins Medical School and teaching hospital.  He was appointed Regius Professor of Medicine at Oxford University in 1905. At Oxford he served equally as a curator of the Bodleian Library and was heavily involved in the work of the Bibliographical Society of London. In Oxford, he had the leisure time to devote himself to his passion for book collecting, designing a library that would contain the most significant works produced in the history of medicine and science.

Come see a selection of works of natural history and biology in a special exhibition up now in the Osler Room of the Osler Library.